Digicult has a liquid structure, we do not exist in a proper office, we exist only online. We are ethereal, we are a network, our work constantly cross the boundaries of art, design, cinema, society, communication and scientific research. We are a mutant and unclassified new professional category, spontaneously working across shared and fluid methodological, aesthetic, cultural and technological paradigms.
Founder & Editor in Chief
Marco Mancuso is a critic, curator and teacher in the field of Media Technologies applied to Arts, Design, Contemporary Culture, with a professional interests to practices like Art Management, Online Publishing and Open Cultures. Founder and Director at Digicult and Digimag Journal.
Silvia Bertolotti is free-lance writer. With a MA in Philosophy and a Master in Arts and Cultural Management, she is currently a PHD Candidate in Media and Communications Studies. Areas of special interest to Silvia are web culture and digital arts, new media studies & cybersecurity.
Filippo Lorenzin is an indipendent curator and critic of contemporary art. He’s interested in the relationship between art, technology and society, anthropology, psychology and history. He actively collaborates with many international magazines as author & commentator.
Martina Raponi is an independent writer and researcher; her work is conducted within the field of contemporary arts. She is the author of Strategie del Rumore, alumna of Sandberg Instituut, and currently based in Amsterdam. She investigates the writing practice beyond the written word
Press Office and Media Manager
Roberta Colavecchio is an independent researcher, curator and cultural producer. She completed a PhD in Postcolonial and Cultural Studies and actively collaborates with international art spaces, research centers and cultural platforms in order to explore the blurred borders in-between eARTh, humans, animals, and machines.
Marketing & Strategy Manager
Giulia Simi has a PhD in History of Art and Media from University of Pisa. For 10 years she’s also been working as a new media art critic, lecturer, digital producer and strategist for museums, publishers, no-profit organisations and media companies both in Italy and in UK.
Matteo Cremonesi focuses his interests on contemporary art and new media. He is PhD candidate at Luephana University of Luneburg, he is lecturer at the Academy of Fine Arts of Brera and works at Link Art Center as curator of Link Cabinet. He contributes to Artribune Magazine and is a member of the art group IOCOSE