With each downturn and recession, it has become ever more apparent that a handful of investment banks and corporations hold immense power over our everyday lives. Neoliberal Lulz brings together work by five artists who interrogate this relationship and respond by adopting corporate strategies to their own ends.
Quayola’s Iconographies are part of an ongoing project that analyzes Renaissance and Baroque paintings through computational methods. Quayola transforms religious and mythological scenes into complex abstract formations, creating alternative versions of the old masterpieces by removing the paintings from their historical narratives.
Monochrome focuses on digital art at its purest, as black-and-white works provide the perfect reflection of an art form that is, in its essence, based on a binary system of 1′s and 0′s.
Poetics and Politics of Data shows artistic works that approach the phenomena of Big Data and data mining, visualizing the continuous bitstream while referring to the political and social implications of a world controlled by data
Welcome though this exposure has been, in the pursuit of "the new" it has often been overlooked that artists have been working in the field since the 1950s - who were all cutting edge in their time. In fact, the medium is now so well rooted it even boasts a "father and son" business - Brown & Son, Purveyors of digital images since 1968.
Piksel is an international event for artists and developers working with Free/Libre and Open Source technologies in artistic practice. It is organized in Bergen, Norway.
The exhibition Transparency, Fluidity and Mediation addresses the three terms as the catalyzers of artworks. The pieces on display could perhaps be mistaken for commercial products due to the production formats.
The Lumen Prize Exhibition, the global award and tour for digitally created art, is delighted to announce that it is opening its fourth call for entries on 9th March 2015.
(Italiano) Negli ultimi giorni di gennaio ha fatto il giro della Rete una notizia che ben inquadra il concept di una mostra come Internet Drones, la nuova esposizione collettiva inaugurata da Ultra a Udine curata da Kamilia Kard a partire proprio dal 31 gennaio
The exhibition How Tomorrow Looks From Here focuses on a particular area of Willats’s work that has not been shown before in Germany and is at the core of his practice—that is the role of simulation in his work.
Until January 24, Hype Cycle will be open at the Galerie Fons Welters in Amsterdam: the exhibition of David Jablonowski based on a graphic tool, used by IT advisory company Gartner to visualize and determine technology’s promises.
The program offers fine artists/designers and software developers/engineers the opportunity to collaborate with each other leveraging each other’s skill sets in order to realize an idea. Deadline: undefined