Net Art

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How much of this is fiction. An Exhibition by FACT Liverpool

How Much of this is Fiction. A rhetorical question, you could say. There is a lot of doubt over the way things happen in society, so how much can we believe? The key message from the last exhibition at FACT (Foundation for Art and Creative Technology) in Liverpool is about deception. To what extent are we being fooled or protected from the strange incidents that come to pass in political media?
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(Italiano) Segni leggeri. Internet non è per sempre

(Italiano) BAG Gallery di Parma ha aperto da qualche giorno “Segni Leggeri. Internet non è per sempre”, la bipersonale di Guido Segni e Luca Leggero. Una mostra inconsueta che la BAG decide di ospitare per la particolarità e la forza concettuale che contraddistinguono le ricerche dei due artisti toscani, posti in un dialogo di confronto che ne mette in evidenza i punti di tangenza, le peculiari caratteristiche e gli originali punti di vista su ciò che concerne l’uso e la presenza di Internet nella vita quotidiana di ciascun individuo contemporaneo.
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Archeonauts: the exhibition at Galerie Charlot in Paris

The exhibition "Archeonauts" attempts to bring together a group of artists who are also activists, theorists and visionaries. Out of sync with the present, they delve into a global pre- and post- internet material and immaterial culture. They belong to two different waves: one is the generation of artists born at the dawn of what has been termed the "end of the history"; the other is one of the first generations to have appropriated new information technologies for artistic purposes.
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Media Art and Art Market: an interview with Steve Fletcher

Steve Fletcher in conversation with Alessio Chierico about the role of Media Art and media artists in the contemporary art context and its market conditions, taking as an example the activity of the Carroll/Fletcher Gallery in London, one of the main referencing points of the contemporary art which emphasises the use of new technologies and committed to enquiries political and social topics.
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Jeroen Van Loon: the future is almost all temporary

With a degree in digital media design and a relatively short career which began no later than 2010, Jeroen Van Loon has shortly become one of the most interesting media artist internationally. His research is able to surprisingly and ironically integrate a critical approach to the use of technological tools - in particular the Internet, with a solid theoretical and conceptual framework. Such an approach results in the production of objects and installations that enter the exhibition space with disarming immediacy.


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Platform: Evan Roth

The cluster of screens presented at the Armory Show is the most ambitious presentation of Roth's latest body of Internet-based works, Landscapes (2014-ongoing), to date: an exploration into the physicality of the Internet is used as a gateway to enter nature and better understand the cultural shifts brought about by the increasingly frequent demands of technology.
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Evidentiary Realism

“Evidentiary Realism” features artists engaged in investigative, forensic, and documentary art. The exhibition aims to articulate a particular form of realism in art that portrays and reveals evidence from complex social systems. The truth-seeking artworks featured explore the notion of evidence and its modes of representation.
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Homeostasis Lab Open Call for Artists @ The Wrong New Digital Art Biennale | DEADLINE 31/01/2018

DIGICULT CALLS & JOBS goo.gl/YyX10V Homeostasis Lab Open Call for Artists 2017/18 - First pavilion to open doors to artist participation in the 3rd edition of The Wrong - New Digital Art Biennale. All works must be "internet-friendly", and belong to any digital art modality (computer art scene, Augmented Reality, Fractal Art, Evolutionary Art, Digital Poetry... check the complete list on the website). OPEN DEADLINE: you can submit as many works as you please, until the event closes on 31/01/2018
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How much of this is fiction.

How much of this is fiction. is an upcoming exhibition at FACT Liverpool, involving artists as tricksters and featuring work which involves the direct use of deception, tricks, hoaxes and hacks. These politically inspired media artists use trickery and deception to exploit the shifting boundary between fiction and reality in a world of ‘post-truth’ politics.
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Paolo Cirio’s “Internet Photography”: artworks on view at Berlin’s photography museums

Paolo Cirio’s artwork is on view in two upcoming major exhibitions at the C/O Berlin and Museum für Fotografie. Both of his series reflect on surveillance and privacy by combining photography, Internet and street art: Watching You, Watching Me. A Photographic Response to Surveillance at the Museum für Fotografie and Watched! Surveillance Art & Photography at C/O Berlin.
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Media Art and Art Market: an interview with Pau Waelder

Pau Waelder is a researcher, art critic and curator who recently finished his PhD about the art market, its displacement on internet platforms and the interactions between contemporary art and New Media Art. His research acknowledge the explosion of the Post-Internet Art, as example of an artistic sector connected to New Media Art that stimulated the interest of the traditional art market.
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Edith-Russ-Haus for Media Art: grants for Media Art 2017 | Deadline: 28/02/17

The Foundation of Lower Saxony grant at the Edith-Russ-Haus for Media Art supports a wide spectrum of media art, from video art and net-based projects to audio works and audio-visual installations. Each of the three grants will be awarded for the production of a new project in the area of media art. An international jury will convene to select the recipients of the grants
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10th edition Share Prize: Sincerity | Deadline: 12/03/2017

Piemonte Share Festival, the Italian art fair of electronics, digital art and new media, announces the theme for its 10th consecutive Share Prize: Sincerity. Our electronic network society has many virtues, but opacity, deceit and obscurantism are among its vices. For 2017, Share Festival raises its lantern of Diogenes to search for technical artworks that are honest.
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How much of this is fiction

Showing at FACT (Foundation for Art and Creative Technology), the exhibition How much of this is fiction. focuses on politically inspired media art that uses deception in all its forms. The desire is to address one of today’s most urgent political issues: the radical shift in the boundary between fiction and reality in public discourse, in a world increasingly governed by "post-truth" politics
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Choreographing Gestures: Interview with Rosana Antoli’

The new project by Rosana Antolì, Virtual Choreography, was exposed at the Arebyte in London. It is an online platform that functions as an open database of movements, gestures of a world map that allows the public to view and upload numerous movements recorded and created by themselves
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About Art (and) Failure: interview with Iocose

IOCOSE are a collective formed by: Matteo Cremonesi, Filippo Cuttica, Davide Prati and Paolo Ruffino. They work with a mix of media, such as websites, videos, social networks and portraits; and they are focused on the teleological narratives of technological and cultural development expressed through their enthusiastic and pessimistic visions
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