Net Art


Electronic Superhighway (2016-1966)

A major exhibition bringing together over 100 works to show the impact of computer and Internet technologies on artists from the mid-1960s to the present day. The exhibition features new and rarely seen multimedia works, together with film, painting, sculpture, photography and drawing.

Carlo Zanni’s ViBo: Koh-i-N∞r

ViBo is one of the alternative models of distribution of the video art, towards those present on the market, elaborated by an Italian artist Carlo Zanni. He aims at democratisation of the digital art distribution methods, conflicting with the category of uniqueness desired on the market.

Blending and disrupting the realities: interview with Joseph DeLappe

Although changing over time, thanks to increasingly efficient technology, the digital world and the real world have come together to contextually coexist, often creating problems. Looking at the many works by American artist Joseph Delappe you can somehow trace the evolution of this dynamic.

The Human Face of Cryptoeconomies

Furtherfield launches its Art Data Money programme with The Human Face of Cryptoeconomies, an exhibition featuring artworks that reveal how we might produce, exchange and value things differently in the age of the blockchain. 

The Art of Difference. New self narratives in Expo 2015 Italy

This is the curatorial text written by Marco Mancuso and Filippo Lorenzin for the Streaming Egos project by Goethe Institut, to reflect on the representations of the Self on the Net in Italy in the ‘10s of the new millennium ‒ which for the country is a time of severe economic crisis and deep changes in the political, cultural, economic and work sectors.

A stream of junk: interview with Sašo Sedlaček

Sašo Sedlaček, Slovenian artist interested in obsolescence long before it became one of the hottest topics of the discussions of these years, presented his first solo exhibition in Italy about these and other issues. Curated by Domenico Quaranta and opened since May 16 in the spaces of Ultra (Udine)

The emojification of reality: interview with Carla Gannis

Online communication, chatting, colorful and disturbing interfaces are critically used by Gannis becoming the starting material for her artistic research. She is one of the most prolific American artists of digital art and in recent months her name has been one of the hottest in the market.

Inside the user’s mind: interview with Nicolas Sassoon

At the center of the project WITCHCRAFT there was the intention to investigate the possibility to understand technologies like computers and internet, critically and poetically; the selection of the involved artists reveals, for those who already know this field of research, the mood and the premises of the exhibition itself