The new project by U.S. artist Evan Roth, Internet Landscapes (2016), a series of videos which can be watched only online. Focused on the experiences he had when travelled around Sweden searching for the physicality of internet, the project is part of the Masters&Servers open call programme
Art is a game between abstraction, mathematical systems and digital codes seems to say the collective exhibition The Digital Abstractions, present at HeK (House of Electronic Arts) in Basel from April 7. Artworks that trace the imagery and create parallel worlds through the support of computer, software and binary structures
From April 2 to May 22 MATA, the new space in Modena devoted to contemporary culture, will be hosting the exhibition EFFIMERA – Relazioni disarmoniche [EPHEMERA –Disharmonic Relations] curated by Fulvio Chimento and Luca Panaro and featuring works by Eva and Franco Mattes (1976), Carlo Zanni (1975), and Diego Zuelli (1979)
Black Chamber is a selection of some of the most significant works by a generation of artists and activists who devise both technological and social tactics to peek into contemporary phenomena of surveillance, paranoia, and the ambiguity of massive voyeurism and actual systems of corporate or state control over citizens.
Internet Landscapes is the new project signed by Evan Roth. A series of web-based artworks that allows audiences to experience the Internet’s physical, digital and cultural landscape. A multilayer research that encourage art to create a link with a fundamentally changed network land
Galleria Pack Milan, is pleased to announce their first collaboration with the Milan-based Brazilian artist Debora Hirsch. The exhibition is entitled donotclickthru. Hirsch’s artwork is often conceptual and appropriative as she gathers visuals (images and texts) from a wide variety of media
!Mediengruppe Bitnik live and work in Zurich/London. They are contemporary artists working on and with the Internet. Their practice expands from the digital to affect physical spaces, often intentionally applying loss of control to challenge established structures and mechanisms.
Since the turn of the millennium, the Internet has evolved from what was merely a new medium to a true mass medium. Mass Effect provides an essential guide to understanding the dynamic and ongoing relationship between art and new technologies.
Digicult critical texts are published within 2 important exhibition catalogues: Ego Updated collective at NRW Forum in Dusseldorf and Alterazioni Video's Turbofilm at Spazio Oberdan in Milan
A major exhibition bringing together over 100 works to show the impact of computer and Internet technologies on artists from the mid-1960s to the present day. The exhibition features new and rarely seen multimedia works, together with film, painting, sculpture, photography and drawing.
ViBo is one of the alternative models of distribution of the video art, towards those present on the market, elaborated by an Italian artist Carlo Zanni. He aims at democratisation of the digital art distribution methods, conflicting with the category of uniqueness desired on the market.
The European project ‘Streaming Egos’, based on an idea by the Goethe-Instituts of south-west Europe and in cooperation with the Slow Media Institut and the NRW-Forum Düsseldorf, explores the risks, limits and advantages of having a digital identity which is often too far from real life
The Museum of Contemporary Commodities – on exhibition at the Furtherfield Gallery in Finsbury Park, London, is engaging the nature of our stuff – how commodities enter and disappear from our lives - exploring these issues with a novel take on the practice of curating.
Although changing over time, thanks to increasingly efficient technology, the digital world and the real world have come together to contextually coexist, often creating problems. Looking at the many works by American artist Joseph Delappe you can somehow trace the evolution of this dynamic.
Furtherfield launches its Art Data Money programme with The Human Face of Cryptoeconomies, an exhibition featuring artworks that reveal how we might produce, exchange and value things differently in the age of the blockchain.
This is the curatorial text written by Marco Mancuso and Filippo Lorenzin for the Streaming Egos project by Goethe Institut, to reflect on the representations of the Self on the Net in Italy in the ‘10s of the new millennium ‒ which for the country is a time of severe economic crisis and deep changes in the political, cultural, economic and work sectors.
6PM YOUR LOCAL TIME (6PM YLT) is a networked, distributed, one night contemporary art event taking place simultaneously in different locations, coordinated from one central venue and documented online via a web application.
Sašo Sedlaček, Slovenian artist interested in obsolescence long before it became one of the hottest topics of the discussions of these years, presented his first solo exhibition in Italy about these and other issues. Curated by Domenico Quaranta and opened since May 16 in the spaces of Ultra (Udine)