Data Visualization

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Data Aesthetics – The Interactive Art 

Today, data and information flow and fill every space, both physical and virtual. How do we handle this? How can we visualise the big data and make it more concrete process? The exhibition Date Aesthetics -The Interactive Arts will seek to answer these questions through the intervention of artists and activists careful about this kind of issue
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Open Fields conference and exhibition: RIXC Art Science Festival 2016

On the occasion of RIXC Art Science Festival will be presented the conference and exhibition Open Fields. An event that is centered around the transdisciplinarity that investigates the transformative potential of art in connection with science, with the purpose to creating methodologies and approaches where is forbidden any categorization
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Design Digital Relations. New design scenarios of digital interaction

The digital revolution, already been running for years, is radically changing the rules of communication and this change carries with it a deep alteration of the relations that govern the social fabric. The advent of new media, in particular, is causing several changes in the management of collective life and in relations between people
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Nervous Systems. The big exhibition by Tactical Technology Collective

Nervous Systems is an exhibition that questions this systemic closure and the pervasive nervousness that haunts today’s systems, data-driven rationalities and ideologies. What does “privacy” mean when it becomes possible to identify someone just as easily from “anonymous” data as from a fingerprint or identity card? What remains of the world when it is being interpreted for us by machines?
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Manfred Mohr: Artificiata II

For his second exhibition at Carroll / Fletcher, digital art pioneer Manfred Mohr presents a series of new pieces mapping his formal investigations of theoretical space in generative screen-based works, drawings, and inkjet paintings.
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Kota: digital excavations in African Art

Kota: Digital Excavations in African Art is an exhibition exploring how data and technology offer exciting possibilities for groups of artwork that lack deep provenance or contextual information. The exhibition features the groundbreaking research of Frederic Cloth, who has created a database of extant guardian figures and a series of algorithms.
Softimage Book

Softimage

With today’s digital technology, the image is no longer a stable representation of the world, but a programmable view of a database that is updated in real time. Softimage by Hoelzl and Marie.
Samantha Bittman-Material Data

Samantha Bittman: Material Data

Samantha Bittman presents a new body of work including a series of paintings on handwoven textiles, custom digitally printed wallpaper, and a handmade tile floor sculpture. In Bittman's visual world, the structuring and processing of individual parts generate a mutually dependent relationship between image and object
JHB Archive Call

The JHB Archive. Deadline: 30th June 2015

BOM invites submissions for a group exhibition of emerging to mid-career artists. BOM is a new creative, collaborative gallery and workspace for art, technology and science.
The IEEE VIS Call

The IEEE VIS. Deadline: 26th June 2015

The IEEE VIS 2015 Arts Program, or VISAP'15, showcases innovative artwork and research that explores the exciting and increasingly prominent intersections between art and visualization.
Futuros Possiveis Book

Futuros Possiveis / Possible Futures

This bilingual book (English-Portuguese) discusses strategies and methodologies for the preservation of digital collections and scanning processes, including studies on new forms of organization and communication..
decoding the city

Decoding the City Urbanism in the Age of Big Data

How Big Data change reality and, hence, the way we deal with the city?. It discusses the impact of real-time data on architecture and urban planning, using examples developed in the SENSEable City Lab.
Sounds, Images and Data Call

Sounds, Images and Data. Call for papers

Sounds, Images and Data 2015 is a conference that analyzes the role of the artists and curators in creating new experiences and aesthetics in the 21st century. Deadline: March 20, 2015
Kim Asendorf

Unoriginal Genius

Most of the works in Unoriginal Genius are web-based artworks. As live pieces of public art that can be accessed for free in an online environment, they may feel uncomfortable in a gallery space
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