(Italiano) Ha inaugurato sabato 18 marzo alle ore 18.00 al MATA di Modena una nuova edizione di Effimera – Suoni, luci, visioni, a cura di Fulvio Chimento e Luca Panaro e in collaborazione con la Galleria Civica di Modena, che quest'anno propone opere di Carlo Bernardini, Sarah Ciracì e Roberto Pugliese. La mostra è realizzata con il supporto di Coptip e del Gruppo Fotografico Grandangolo BFI.
The Leonardo Electronic Almanac (The MIT Press) is inviting proposals from academics, art historians, video game theorists and practitioners, for an issue examining video games in relationship to and within art history. The issue aims to locate and investigate questions such as: Can we identify moments when art history and the history of video games are bound together? Can video games challenge now canonized and hegemonic discourses within art history?
The British Science Festival and Brighton Digital Festival are looking to co-commission a new digital artwork that will be presented in a gallery space at the University of Brighton. The interest is for those works that explore and respond to themes of place: the shifting horizons of physical and virtual environments; the possibilities of technology to reimagine, reinvent and reinterpret space and place, and new opportunities to facilitate collaboration and connect people, place and things.
The first solo show of Mika Taanila in Italy, at the RITA URSO Artopia Gallery in Milan. On view: the video works produced by the artist using archive materials, and which deal with issues related to technology, media obsolescence, and the archaeology of the future.
Entitled "Future emerging Art and Technology", the exhibition presents a series of works of art created during collaborations between six internationally acclaimed artists and cutting-edge scientists. The artists were selected during an open process in March 2016 and paired with scientist groups working on European Union FET (Future Emerging Technologies) Open research projects such as exploring gene regulation, quantum physics, underwater robotics, carbon capture, and exascale computing.
(Italiano) L'oggetto di indagine è costituito da un organismo sociale che, con la sua presenza nei quartieri popolari della città di Napoli, fa tutela attiva del suo patrimonio culturale materiale e immateriale, sia rivitalizzando e manutenendo intere aree cittadine dalla conformazione pre-moderna, sia partecipando alla definizione dell'effetto città (confronto, scambio, contaminazione).
The still image, which can be a photograph, or a frame of a video, or even a pixel, is a unity and as such it is a departing point for Hugo Olim’s artworks concept. Metaphorically, the still image, as is presented to us, results from a dialogue with sound from which it receives properties of rhythm and movement.
From March 10 to July 23, 2017 the Fondazione Palazzo Strozzi will be introducing the Florentine public to Bill Viola. Electronic Renaissance, a significant exhibition celebrating this unchallenged master of video art.
NEW INC is an incubator and professional development program founded by the New Museum to support ambitious ideas and approaches to culture, tech, and business that strive for a more creative, diverse, and equitable future. The Open Call 2017 has officially started on the 13th of March, and it adresses independent practitioners, start-ups, studios and collectives working at the intersection of culture and tech.
Since 1998 Wolf Lieser is curator and founder of the Digital Art Museum (DAM), an online museum which has being very active in supporting and promoting the history of Digital Art, since its very firsts experimentations in the end of 50's. In 2003 the museum started to be supported by a physical space: “DAM Gallery” where are regularly exhibited works that span all the categories from pioneers of the 60's till major artists of the last years.
Culture and brain form complex systems of influence, control and resistance. The present brain seems to have been invaded by technology: machines increasingly perform the previously human tasks of language, memory, and imagination, with our learning processes taken up by automated and algorithmic procedures.
Terra0 is a project that has just been discussed at Transmediale, Berlin, during the panel Becoming Earth: Engineering Symbiotic Futures. The project, at his first steps of development, aims at the creation of the first self-owned augmented forest, by using the blockchain technology and the smart contracts.
The leading international festival of photography and related media in Southeastern Europe celebrates its 30 years anniversary! Exploring critical issues relevant to our times and the ongoing shifts in dialogue with the past, this broad framework, attempts to create an intellectual space, where the role of photography in contemporary society can be raised and discussed. The exhibition programme will be comprised of a series of solo and group exhibitions, as well as a range of events, including portfolio reviews, screenings, talks and discussions, workshops, community and participatory projects, and satellite exhibitions in various locations in the city. Submit your proposal until 10/04/2017
With a background in art history, archaeology and psychology, Annette Doms is a specialist in Digital Art history and market. Her activity as curator and art historian, successively took on several directions: the constitution of an agency for art market solutions (ICAA) and the UNPAINTED art fair. This has been the first art fair specialised in Media Art, of which Annette Doms is co-founder and art director
“Machine Learning” has been released in November 2016 and written by Ethem Alpaydin. The MIT Press Essential Knowledge series offers concise, accessible overviews of compelling topics. Written by leading thinkers, the volumes provide expert syntheses of subjects ranging from the cultural and historical to the scientific and technical, “synthesising specialised subject matter for non-specialists”.
With a degree in digital media design and a relatively short career which began no later than 2010, Jeroen Van Loon has shortly become one of the most interesting media artist internationally. His research is able to surprisingly and ironically integrate a critical approach to the use of technological tools - in particular the Internet, with a solid theoretical and conceptual framework. Such an approach results in the production of objects and installations that enter the exhibition space with disarming immediacy.