
<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Digicult &#124; Digital Art, Design and Culture</title>
	<atom:link href="http://www.digicult.it/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.digicult.it</link>
	<description>Since 2005, Digicult is a cultural platform that examines the impact of digital technologies and   sciences on the arts, design, culture and contemporary society</description>
	<lastBuildDate>Fri, 24 May 2013 13:05:05 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.5.1</generator>
		<item>
		<title>Transmediale 2012: Incompatibility and the Bet On The Rest</title>
		<link>http://www.digicult.it/digimag/issue-072/transmediale-2012-incompatibility-and-the-bet-on-the-rest/</link>
		<comments>http://www.digicult.it/digimag/issue-072/transmediale-2012-incompatibility-and-the-bet-on-the-rest/#comments</comments>
		<pubDate>Tue, 10 Apr 2012 12:00:42 +0000</pubDate>
		<dc:creator>MKadmin</dc:creator>
				<category><![CDATA[Issue 72]]></category>
		<category><![CDATA[Live Media]]></category>
		<category><![CDATA[Net Art]]></category>
		<category><![CDATA[Reports]]></category>
		<category><![CDATA[Video Art]]></category>

		<guid isPermaLink="false">http://www.digicult.it/?p=11690</guid>
		<description><![CDATA[The 25th edition oftTrasmediale had a concept, "In/compatible", whose title clearly shows that still there is a part of residual in the network-numerical-policy paradigm that several users/ global citizens are experiencing from a psychic-pragmatic point of view.]]></description>
		<wfw:commentRss>http://www.digicult.it/digimag/issue-072/transmediale-2012-incompatibility-and-the-bet-on-the-rest/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Transmediale Re:Source. A Partisan Report</title>
		<link>http://www.digicult.it/digimag/issue-072/transmediale-resource-a-partisan-report/</link>
		<comments>http://www.digicult.it/digimag/issue-072/transmediale-resource-a-partisan-report/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 08:43:43 +0000</pubDate>
		<dc:creator>MKadmin</dc:creator>
				<category><![CDATA[Issue 72]]></category>
		<category><![CDATA[Hacking]]></category>
		<category><![CDATA[Hacktivism]]></category>
		<category><![CDATA[Net Art]]></category>
		<category><![CDATA[Reports]]></category>

		<guid isPermaLink="false">http://www.digicult.it/?p=11678</guid>
		<description><![CDATA[I find it very telling that of all the panels offered at Transmediale I ended up attending most reSource talks and debates, and that the keywords and comments contained in my sparse notes were uncannily (and conveniently) connected with the key questions I had in mind when I arrived in Berlin on the frigid Saturday morning preceding the event]]></description>
		<wfw:commentRss>http://www.digicult.it/digimag/issue-072/transmediale-resource-a-partisan-report/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Taste of Sonar. South Africa Deals with Avant Guard</title>
		<link>http://www.digicult.it/digimag/issue-072/a-taste-of-sonar-south-africa-deals-with-avant-guard/</link>
		<comments>http://www.digicult.it/digimag/issue-072/a-taste-of-sonar-south-africa-deals-with-avant-guard/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 08:43:43 +0000</pubDate>
		<dc:creator>MKadmin</dc:creator>
				<category><![CDATA[Issue 72]]></category>
		<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Clubbing]]></category>
		<category><![CDATA[Electronic Music]]></category>
		<category><![CDATA[Reports]]></category>

		<guid isPermaLink="false">http://www.digicult.it/?p=11675</guid>
		<description><![CDATA[Sonar of Barcelona, an International festival of Advanced Music and Multimedia Art, landed for its 19th Indaba Design edition (from 29th February to 4th March) in Cape Town, by using a completely new special format. In order to know more about that, we asked Georgia Taglietti, Head of the International Media Department of Avanced Music (the organization which, every year, arranges Sonar event), to describe this new partnership.]]></description>
		<wfw:commentRss>http://www.digicult.it/digimag/issue-072/a-taste-of-sonar-south-africa-deals-with-avant-guard/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Detached from yourself. Therefore Under Control &#8211; Part 2</title>
		<link>http://www.digicult.it/digimag/issue-072/detached-from-yourself-therefore-under-control-part2/</link>
		<comments>http://www.digicult.it/digimag/issue-072/detached-from-yourself-therefore-under-control-part2/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 08:43:43 +0000</pubDate>
		<dc:creator>MKadmin</dc:creator>
				<category><![CDATA[Issue 72]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Interaction Design]]></category>

		<guid isPermaLink="false">http://www.digicult.it/?p=11673</guid>
		<description><![CDATA[One peculiar aspect concerning the use of technology formulated by Japanese artists it is shown by the constant interplay between the oneiric (relating to dreams) and science-fiction alike worlds depicted both by Japanese and American novelists and the content and/or the technique deployed in the artworks. The fictional, technological-empowered and otherworldly novels are taken as a main reference in Electronic Art; or are it true the other way round?]]></description>
		<wfw:commentRss>http://www.digicult.it/digimag/issue-072/detached-from-yourself-therefore-under-control-part2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Gabriel Shalom. At the Edge of Reality</title>
		<link>http://www.digicult.it/digimag/issue-072/gabriel-shalom-at-the-edge-of-reality/</link>
		<comments>http://www.digicult.it/digimag/issue-072/gabriel-shalom-at-the-edge-of-reality/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 08:43:43 +0000</pubDate>
		<dc:creator>MKadmin</dc:creator>
				<category><![CDATA[Issue 72]]></category>
		<category><![CDATA[Audiovisual Art]]></category>
		<category><![CDATA[Electronic Music]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Video Art]]></category>

		<guid isPermaLink="false">http://www.digicult.it/?p=11671</guid>
		<description><![CDATA[Gabriel Shalom likes to describe himself as a "videomusician", or an audiovisual artist working on manipulation of moving images to reach a rhythmic composition]]></description>
		<wfw:commentRss>http://www.digicult.it/digimag/issue-072/gabriel-shalom-at-the-edge-of-reality/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ou&#8217; Va La Video? Notes For Future Consideration</title>
		<link>http://www.digicult.it/digimag/issue-072/ou-va-la-video-notes-for-future-consideration/</link>
		<comments>http://www.digicult.it/digimag/issue-072/ou-va-la-video-notes-for-future-consideration/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 08:43:42 +0000</pubDate>
		<dc:creator>MKadmin</dc:creator>
				<category><![CDATA[Issue 72]]></category>
		<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Reports]]></category>
		<category><![CDATA[Video Art]]></category>

		<guid isPermaLink="false">http://www.digicult.it/?p=11700</guid>
		<description><![CDATA[On 25th February 2012, Boccanera Gallery of Trento, in partnership with VisualContainer, presented the event “ON VIDEOS for Hours and Hours”: a day in which it was possible to watch and talk about the Italian Video-Art of the last two decades.]]></description>
		<wfw:commentRss>http://www.digicult.it/digimag/issue-072/ou-va-la-video-notes-for-future-consideration/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Law Of The Instrument. An Interview with Constant Dullart</title>
		<link>http://www.digicult.it/digimag/issue-072/law-of-the-instrument-an-interview-with-constant-dullart/</link>
		<comments>http://www.digicult.it/digimag/issue-072/law-of-the-instrument-an-interview-with-constant-dullart/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 08:43:42 +0000</pubDate>
		<dc:creator>MKadmin</dc:creator>
				<category><![CDATA[Issue 72]]></category>
		<category><![CDATA[Hacking]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Net Art]]></category>
		<category><![CDATA[Software Art]]></category>

		<guid isPermaLink="false">http://www.digicult.it/?p=11698</guid>
		<description><![CDATA[When I heard about the Easter egg that make the Google search page rotate when you type “do a barrell” in the search field, I thought: “Hey wait a minute, this is old news. Constant Dullaart has already created the http://therevolvinginternet.com/ which make the same effect!”]]></description>
		<wfw:commentRss>http://www.digicult.it/digimag/issue-072/law-of-the-instrument-an-interview-with-constant-dullart/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Transmediale: The Exhibition. Uneasy energies in Technological Times</title>
		<link>http://www.digicult.it/digimag/issue-072/transmediale-exhibition-uneasy-energies-in-technological-times/</link>
		<comments>http://www.digicult.it/digimag/issue-072/transmediale-exhibition-uneasy-energies-in-technological-times/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 08:43:42 +0000</pubDate>
		<dc:creator>MKadmin</dc:creator>
				<category><![CDATA[Issue 72]]></category>
		<category><![CDATA[Net Art]]></category>
		<category><![CDATA[Reports]]></category>
		<category><![CDATA[Software Art]]></category>
		<category><![CDATA[Video Art]]></category>

		<guid isPermaLink="false">http://www.digicult.it/?p=11696</guid>
		<description><![CDATA["Dark Drives. Uneasy Energies in Technological Times" curated by Jacob Lillemose, has largely complied with these resolutions, which I perceived as a pretty interesting purpose, and brave in their way, for a festival like the Transmediale, an event deeply rooted in the media culture, on an European and international level. ]]></description>
		<wfw:commentRss>http://www.digicult.it/digimag/issue-072/transmediale-exhibition-uneasy-energies-in-technological-times/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Virtuality. Aesthetic Experience and Curatorial Design</title>
		<link>http://www.digicult.it/digimag/issue-072/virtuality-aesthetic-experience-and-curatorial-design/</link>
		<comments>http://www.digicult.it/digimag/issue-072/virtuality-aesthetic-experience-and-curatorial-design/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 08:43:42 +0000</pubDate>
		<dc:creator>MKadmin</dc:creator>
				<category><![CDATA[Issue 72]]></category>
		<category><![CDATA[Live Media]]></category>
		<category><![CDATA[New Media]]></category>
		<category><![CDATA[Reports]]></category>

		<guid isPermaLink="false">http://www.digicult.it/?p=11694</guid>
		<description><![CDATA[Vince Dziekan is an artist, art historian, and curator who has dedicated his research and practice to explore of the concept of “Virtuality”. Specifically, Dziekan has been working on the space (intended as exhibition space and the one where artworks can be enjoyed and experienced) and influence that new digital technologies have had on its transformation and organization. ]]></description>
		<wfw:commentRss>http://www.digicult.it/digimag/issue-072/virtuality-aesthetic-experience-and-curatorial-design/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Can Digital Be Art? Its Time For Analysis</title>
		<link>http://www.digicult.it/digimag/issue-072/can-digital-be-art-its-time-for-analysis/</link>
		<comments>http://www.digicult.it/digimag/issue-072/can-digital-be-art-its-time-for-analysis/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 08:43:42 +0000</pubDate>
		<dc:creator>MKadmin</dc:creator>
				<category><![CDATA[Issue 72]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[New Media]]></category>
		<category><![CDATA[Video Art]]></category>

		<guid isPermaLink="false">http://www.digicult.it/?p=11692</guid>
		<description><![CDATA[Periodically, as it happens in all expressive art forms, we need to ask ourselves about where we come from and which our own shapes and contents are. All that goes also for the ever-changing field affected by New Media’s “hyper-speed”. For more than two decades I’ve been trying to trace the relationships between Digital Art and Video Art on the one hand, and those established between Digital and the most specific field of Contemporary Art, on the other.]]></description>
		<wfw:commentRss>http://www.digicult.it/digimag/issue-072/can-digital-be-art-its-time-for-analysis/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Transmediale 2012: Symposium. In/compatible Systems, Publics, Aesthetics</title>
		<link>http://www.digicult.it/digimag/issue-072/transmediale-2012-symposium-incompatible-systems-publics-aesthetics/</link>
		<comments>http://www.digicult.it/digimag/issue-072/transmediale-2012-symposium-incompatible-systems-publics-aesthetics/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 08:43:42 +0000</pubDate>
		<dc:creator>MKadmin</dc:creator>
				<category><![CDATA[Issue 72]]></category>
		<category><![CDATA[Hacktivism]]></category>
		<category><![CDATA[New Media]]></category>
		<category><![CDATA[Reports]]></category>

		<guid isPermaLink="false">http://www.digicult.it/?p=11686</guid>
		<description><![CDATA[The net art (known as new form of art), which is produced by the help of technological developments, was one of the topic of the panel “web.video the new net art?”]]></description>
		<wfw:commentRss>http://www.digicult.it/digimag/issue-072/transmediale-2012-symposium-incompatible-systems-publics-aesthetics/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Post Internet and Post Galleries. Conor Backman and The Reference Gallery</title>
		<link>http://www.digicult.it/digimag/issue-072/post-internet-e-post-gallerie-conor-backman-e-la-reference-gallery/</link>
		<comments>http://www.digicult.it/digimag/issue-072/post-internet-e-post-gallerie-conor-backman-e-la-reference-gallery/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 08:43:42 +0000</pubDate>
		<dc:creator>MKadmin</dc:creator>
				<category><![CDATA[Issue 72]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Net Art]]></category>
		<category><![CDATA[New Media]]></category>

		<guid isPermaLink="false">http://www.digicult.it/?p=11684</guid>
		<description><![CDATA[One of the founders of Reference Gallery, which could reasonably be called one of the best small-town galleries in the world, Conor Backman also happens to be a BFA student at Virginia Commonwealth University in Richmond, VA. Open since the fall of 2009, Reference has come to define the growing inertia in post-internet art with a constant flux between physical exhibitions, digital circulation, and distributed networks of attention.]]></description>
		<wfw:commentRss>http://www.digicult.it/digimag/issue-072/post-internet-e-post-gallerie-conor-backman-e-la-reference-gallery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Heath Bunting: Identity Bureau. Against Residual Self-Image</title>
		<link>http://www.digicult.it/digimag/issue-072/heath-bunting-identity-bureau-against-residual-self-image/</link>
		<comments>http://www.digicult.it/digimag/issue-072/heath-bunting-identity-bureau-against-residual-self-image/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 08:43:42 +0000</pubDate>
		<dc:creator>MKadmin</dc:creator>
				<category><![CDATA[Issue 72]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Hacking]]></category>
		<category><![CDATA[Net Art]]></category>
		<category><![CDATA[Software Art]]></category>

		<guid isPermaLink="false">http://www.digicult.it/?p=11680</guid>
		<description><![CDATA[Identity Bureau was established by Heath Bunting to construct a custom-made physical person for the user, who would be able to function freely in society. The activities of the bureau extend also to instructions for other users to construct their own new identities. It undermines the habitual ways of climbing the social ladder and offers an alternative system to the dictate of there being a one and only "official" identity allocated to the individual by the state authorities.]]></description>
		<wfw:commentRss>http://www.digicult.it/digimag/issue-072/heath-bunting-identity-bureau-against-residual-self-image/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Transmediale 2012: Screening. Unusual Pictures For Unusual Times</title>
		<link>http://www.digicult.it/digimag/issue-072/transmediale-2012-screening-unusual-pictures-for-unusual-times/</link>
		<comments>http://www.digicult.it/digimag/issue-072/transmediale-2012-screening-unusual-pictures-for-unusual-times/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 08:43:41 +0000</pubDate>
		<dc:creator>MKadmin</dc:creator>
				<category><![CDATA[Issue 72]]></category>
		<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Reports]]></category>
		<category><![CDATA[Video Art]]></category>

		<guid isPermaLink="false">http://www.digicult.it/?p=11702</guid>
		<description><![CDATA[Satellite stories is the title of the video program. It consists of eight different screenings, curated by Marcel Schwierin. A very successful aspect of Schwierin’s curatorial work was the capacity to transcend the division between language and distribution channels, by mixing works conceived for the net and works anchored to the cinema tradition, video art, and other performative and audiovisual works]]></description>
		<wfw:commentRss>http://www.digicult.it/digimag/issue-072/transmediale-2012-screening-unusual-pictures-for-unusual-times/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Enter The Void. Director&#8217;s Cut</title>
		<link>http://www.digicult.it/digimag/issue-071/italiano-enter-the-void-directors-cut/</link>
		<comments>http://www.digicult.it/digimag/issue-071/italiano-enter-the-void-directors-cut/#comments</comments>
		<pubDate>Fri, 10 Feb 2012 12:00:00 +0000</pubDate>
		<dc:creator>MKadmin</dc:creator>
				<category><![CDATA[Issue 71]]></category>
		<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Reports]]></category>
		<category><![CDATA[Video Art]]></category>

		<guid isPermaLink="false">http://www.digicult.it/digimag/issue-071/italiano-enter-the-void-directors-cut/</guid>
		<description><![CDATA[Upon completing his studies, Gaspar NoÈ had the chance to shoot two black-and-white short films: ìTintarella di lunaî in 1985 and ìPulp amËreî†in 1987. The first simply tells the story of a woman who leaves her husband for her lover, while the second shows a man attempting to rape his wife, as he listened to the radio that rape can be an act of profound love: perhaps, it is in this exact moment that the poetics of this Argentine filmmaker was born]]></description>
		<wfw:commentRss>http://www.digicult.it/digimag/issue-071/italiano-enter-the-void-directors-cut/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

<!-- Dynamic page generated in 0.945 seconds. -->
<!-- Cached page generated by WP-Super-Cache on 2013-05-24 13:55:09 -->
