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The artwork between technology and nature
       
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NATIONAL GALLERY OF DENMARK - AARHUS

21 - 23 JANUARY 2010

 

Aarhus University and the national art museum in Copenhagen, Statens Museum for Kunst, are organizing an international conference entitled The Artwork between Technology and Nature. The conference will take place at the museum in Copenhagen on 21-23 January 2010 and aims to raise questions and debate focused on art history and theory in continuation of the UN climate change conference in Copenhagen, COP15.


The museum will simultaneously be showing two exhibitions that are interesting in this context: Nature strikes back, which deals with concepts of nature in art from the Antiquity until today, and Re:think: Living in the age of climate change, in which contemporary artists comment on global climate changes.


The present climate crisis foregrounds the observation that during the last century human technology has come to play a crucial role in the overall behaviour of nature, both as a disturber of ecological balances and as a potential healer of them. Parallel to this development, art seems to have become more closely involved with both nature and technology, challenging, on the one hand, conceptions of art contemplating nature as a distant landscape and, on the other, art as being foreign to the social interaction and physical dynamics of technology. These approaches often highlight art?s critical and reflective function, and yet in art?s very interchange with nature and technology there are certain reminiscences of the ancient and medieval periods in which art and technology were aspects of a common area of cultivated products and their methods ? the Latin ars and the Greek technè ? and in which this area was thought to function according to principles imitating nature.


The conference is primarily aimed at the international circles of art historians and other scholars and students interested in the history of ideas, culture, technology and science. The conference is also relevant to all professionals interested in climate issues and conceptions of nature. Interested museum visitors will also find that the conference elaborates on the issues raised by the exhibitions at Statens Museum for Kunst. In addition, the conference is aimed at people interested in contemporary art, current affairs like the climate crisis, and the historical approach to the field of art, nature and technology.

 

Organizers:


Aarhus University:
Ass. Professor Maria Fabricius Hansen, dr. phil.
Professor Jacob Wamberg, dr. phil.
PhD student Lisbet Tarp


National Gallery of Denmark:
Senior research curator Hanne Kolind Poulsen
Curator Henrik Holm, PhD

 

Programme:


Thursday January 21


ATMOSPHERES
Chair Henrik Holm


09.00 Registration


09.30-10: Welcome /Maria Fabricius Hansen and Introduction/Hanne Kolind and Jacob Wamberg


10.00-10.50: Keynote speaker: James Elkins
Unresolved Questions in the Scholarly Representation of Landscape


10.50-11.20: Coffee


11.20-11.50: Kristine Nielsen
A Perfectly Nebulous Experiment: The Making of C.T.R. Wilson's Cloud Chamber


11.50-11.20: Hanna Johansson
Rain, Technologies of Observations/Representations and (Landscape) Art


12.20-13.20: Lunch

 

INVENTING NATURE
Chair Jacob Wamberg


13.20-14.10: Søren Pold
How to Experience Climate Change? Notes towards the Aesthetics and Poetics of Digital Climate Crisis Art


14.10-14.40: Ulrik Ekman
Blurred: Mixed Context-Awareness


14.40-15: Coffee


15.-15.20: Henrik Holm:
The Order of Things. Matching Artworks with Foucault's Epistemes


15.20-16.50: Tours with the curators Henrik Holm, Hanne Kolind, and Marianne Torp in the two exhibitions, Nature Strikes Back and Rethink



Friday January 22

MARVELS AND SYSTEMS
Chair Lisbet Tarp


10.15-11.05: Keynote speaker: Lorraine Daston
The Passions of the Unnatural

11.05-11.35: Coffee

11.35-12.05: Bjørn Okholm Skaarup
Science for the Artist: Artistic Anatomy and Mathematics in the Renaissance Academies of Art, 1563-1609

12.05-12.35: Alisa Luxenberg

Botanical Art or (Al)chemical Magic? Nature Printing in 18th-century Spain

12.35-13.35: Lunch

 

HYBRIDS
Chair Maria Fabricius Hansen


13.35-14.05: Lisbet Tarp
Midas Touch: Nature in the Hands of the Artist and the Alchemist

14.05-14.35: Pernille Leth-Espensen
Representations of Science in Art

14.35-15.05: Coffee

15.05-15.35: Michael Dürfeld
Artistic Ornamentation between Natural and Artificial Evolution

15.35-16.35: Linda Weintraub
Bio Art ? An Ethical Dilemma
Panel Discussion

 

Saturday January 23

ENVIRONMENTS
Chair Birgitte Anderberg


10.15-10.45: Shannon McMullen
The Machine is the Garden: IBA Emscher Park and the Post-Steel
Convergence of Art, Nature and Technology

10.45-11.15: Robert Ferry and Elizabeth Monoian
Land Art Generator Initiative: A Transdisciplinary Approach to Clean Energy

11.15-11.45: Coffee

11.45-12.40: Keynote speaker: Olafur Eliasson
Reflections on my own work

12.40-13.00: Concluding remarks
Maria Fabricius Hansen, Henrik Holm, Hanne Kolind, and Jacob Wamberg

 

 

 

http://www.ant.au.dk/en

 



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