KERNEL /011 offer itself as an opportunity for young artists and emerging talent to express themselves in a unique environment and on a stage shared by important international artists.
The symposium From Art to Design and Back, within the program of Direct Digital event on 28th of May 2009 at Sala Antonio Delfi of Galleria Civica in Modena (Italy), focuses on growing merge between productions,...
spectra [amsterdam] è il lavoro commissionato all’artista e compositore Ryoji Ikeda per DREAM AMSTERDAM 2008; il suo primo progetto per uno spazio pubblico e la sua prima opera su larga scala...
doubleNegatives Architecture is an architectural group who is engaged in crossover activities in a new area of architecture, making good use of various media and information technologies
At 17.00 on the 15th of February an oeuvre exhibition will take place of all (!) interactive sculptures made by Studio Roosegaarde. Hosted by Axis Stuifmeel the TV celebrity Filemon Wesselink will guide...
Three great nights of audiovisual live performances in front of the impressive Kiefer's Towers with a box made of 5 screens and a sound system surround 4+1
Open to students and professionals in the arts, architecture, geography, planning, the social sciences, and related disciplines, the Urban Transcripts 2011 international workshop on the city will pursue...
"Zaha Hadid, une architecture" is the first exhibition held inside the Mobile Art pavilion since the installation of the pavilion in front of the Institut du monde arabe.
Architects Matias del Campo and Sandra Manninger, former recipients of MAK-Schindler Scholarships for the Artists and Architects-in-Residence Program in Los Angeles, teamed up in 2003 to found the Viennese...
'Feelings are facts', the result of a first time
collaboration between danish-icelandic artist Olafur Eliasson and chinese architect Ma Yansong / MAD,
which challenges our everyday patterns of spatial orientation. vision functions as our primary default
sense for navigation, but within this installation, insecurity is induced on visitors initially,
reducing visibility, suggesting the need to invent new models for perception.
This site-specific project, located within the big hall of ullens center for contemporary art (UCCA),
beijing is based on a series of previous experiments by eliasson, which deal with atmospheric density.
here, eliasson introduces condensed banks of artificially produced fog into the gallery,
shimmering with an artificial light spectrum, created using arrays of red, green and blue fluorescent lamps.
this illusion in light is not something we find in nature, however, as one walks through the space,
the sights and sensations experience become real.
Dimensions are further altered by the substantial lowering of the ceiling along with a nearly
60 meter long curving, inclined wooden floor space which ma yansong has created within
the installation room. the sloping floor challenges visitors to readjust their balance,
forcing them to constantly shift their weight and body posture to counterbalance the inclination.
this emphasizes the important role of the moving body in the perception of our surroundings.
the further visitors venture into the space, the steeper the floors get, reaching the point in which
it becomes a wave-like curved wall. since the ceiling imitates this construction, a seemingly
boundless space is discerned above.