The concept of a third space – a zone of hybridity – traverses the cultural landscape from the writing of Homi Bhabha in the mid 1990s, to Sony advertising. Hybridity is now embedded in creative and cultural...
The artworks consist of an ultra dark, nano-engineered material that absorbs all visible light and some invisible light as well, such as infrared.The artworks make reference to the works of painters such...
This autumn, the New Museum will present the first New York survey exhibition of the work of the German artist Carsten Höller (b. 1961, Brussels, lives and works Stockholm). Over the past twenty years,...
Phillip Stearns creates at the intersection of art, philosophy, and science, drawing upon a variety of disciplines including installation, audio-video, circuit sculpture, writing, performance art and musical...
A symposium on EEG (and biofeedback) for the Arts. With the emergence of affordable EEG devices and other biofeedback sensors for the health and game industry, we see more and more artists inspired by...
Science is changing our world and our lives at an ever increasing rate. But today artists are bringing science out of the laboratory. Once art and science seemed diametrically opposite; but these days...
Science Gallery is presenting Biorhythm: The Music and the Body as the first exhibition to ever appeared at the New York based World Science Festival last beginning of June and is now hosted at the Eyebeam...
will be exhibiting new installation works, including our largest project to date, that have come out of the time we spent in Galapagos and Ecuador and at the Smithsonian Mineral Sciences Laboratory last...
Digicult has been invited by Subtle Technologies festival in Toronto to present 2 Videoscreenings: "Hidden Worlds" curated by Marco Mancuso and "When the Eye Flickers" (Quando l’Occhio Trema) curated by...
Arctic Perspective highlights the cultural, geopolitical and ecological significance of the Arctic and its indigenous cultures. API aims to empower local citizens of the North via open source infrastructures, such as; data sharing, environmental monitoring, and communications technologies.
In collaboration with the communities of Igloolik, Kinngait, Iqaluit, Mittimatalik and Kanngiqtugaapik in Nunavut, Canada, and other Arctic communities, artists and architects are devising a mobile media and living unit and systems infrastructure that is powered by renewable energy sources.
The unit will be used by the Inuit and other arctic peoples for creative processes, communications and citizen environmental monitoring while moving, living, and working on the land away from established settlements.
The mobile media unit will enable film-making, communications, sustainable hunting and environmental monitoring. For example, a hunter living on the land could also film and stream, in real time, their personal story and reflections to the internet, giving the world the opportunity to understand the reality of the Arctic directly from the people living there.
The exhibition will showcase documentation of the project’s development, including photographs and films from the team’s trip in summer 2009 made with Igloolik elders and Isuma TV, re-visiting former settlements around the Foxe Basin. The Arctic Perspective Initiative is the brainchild of artists Marko Peljhan and Matthew Biederman.
The international work group comprises the media/art organisations C-TASC (Canada), HMKV (Germany), The Arts Catalyst (UK), Projekt Atol (Slovenia) and Lorna (Iceland), in a collaborative process working with the community members in Nunavut, Canada to develop the unit.
