HARDcoded is an ongoing collaboration between newMedia artists in Chicago + Mexico City, that explore the cross-over between digital noise, punk, + magic.
The art of Hacking focuses on the artistic side of hacking. The artists in this exhibition highlight the imperfections of our surroundings and daily lives. The projects subvert, improve on or circumnavigate...
The 90-minute performance will feature Johannes Grenzfurthner, member of the Austrian art collective monochrom, as the Game Master, and four Montrealers from the creative scene as improvisational players....
AHAcktitude '09 is the second collective meeting for the community of the aha@ecn.org mailing list, one of the lists hosted by the historical independent server Isole Nella Rete (Islands in the Net), and...
David Rice's perfidious short story ‘Anna Kournikova Deleted By Memeright Trusted System' – from which curators Inke Arns and Francis Hunger have borrowed the exhibition title – deals with the concept...
Postmasters Gallery announce the exhibition United We Stand, a new project (a media performance and urban installation) by 0100101110101101.ORG and their first solo show in New York
Established in 1987, Toronto's Images Festival is the largest festival in North America for experimental and independent moving image culture, showcasing the innovative edge of international contemporary...
The Video dresses are created by 15000 LEDs embedded beneath the fabric. One dress displays hazy silhouettes of sharks in the sea whilst the other shows a time-lapse sequence of a rose blooming then retracting.
As part of the Fuori Salone 2010 (14th-19th April), aMAZElab presents the eighth edition of the GREEN ISLAND event, dedicated to urban green spaces, territory and biodiversity.
Fair Use is a multimedia exhibition at Columbia College Chicago's Glass Curtain Gallery that sets out to foster critical discussion about intellectual property rights.
In collaboration with the Solomon R. Guggenheim Museum, Rhizome is pleased
to present Show and Tell, an evening of humorous and political
performance lectures.
Activist artists Tara Mateik, founder of the Society for Biological
Insurgents, and The Yes Men, an "identity correction" collective, will
assume guises and give entertaining talks demonstrating their use of
information and "disinformation" to shift balances of power.
In his words, Tara Mateik's work "stategizes to overthrow institutions of
compulsory gender. through performance, video, and intervention." In Putting the Balls Away, he will reenact a legendary "Battle of the
Sexes," Billie Jean King's 1973 defeat of the former Wimbledon men's
champion, Bobby Riggs. By playing both roles in a video version of the
match, and reviving remarks by sports commentators Howard Cosell and Rosie
Casals, Mateik recalls the controversy sparked by the most watched
televised sporting event of the era.
The Yes Men will present the first public demonstration of their
SurvivaBall, an advanced new technology designed to keep corporate
managers safe, even when climate change makes life as we know it
impossible. Recently unveiled at a corporate conference by Yes Men
masquerading as Halliburton executives, the SurvivaBall is "designed to
protect the corporate manager no matter what Mother Nature throws his or
her way."
Curated by Marisa Olson, Editor and Curator, Rhizome.org, as a component
of their 10th Anniversary Festival of Art & Technology. Rhizome is a
leading new media arts organization, and an affiliate of the New Museum of
Contemporary Art.
