"We have entered the digital age. And the digital age has entered us. We are no longer the same people we once were." These are the words by Fred Ritchin that in After Photography, examines the transition from analog to digital, exploring the possibilities of new technologies that lead the photograph to another identity and another form
The first big retrospective of Ai Weiwei opened last month in Florence, Italy. This event not only brought to Italy for the first time works that left a sign in the recent history of contemporary art, but it also marks the reactivation of the contemporary art network that connects Palazzo Strozzi to other centers in Tuscany
Caroline Woolard, co-founding and co-directing resource sharing networks OurGoods and TradeSchool, makes art and infrastructures for the solidarity economy. She's a cultural producer whose interdisciplinary work facilitates the intersection of art, urbanism and political economy, also tries to promote collaboration between artists and people
In October at the Tate Liverpool will be presented the new project by Cécile B. Evans. A multidimensional work that analyzes robotics, artificial intelligence and the possibilities of collaboration between humans and machines, examining the increasing influence that new technologies have on how people feel and act.
On November 10, the FACT in Liverpool will host Day of Collisions. A full day of activities that investigate the relationship between art and science, linking together engineers, physicists and scientists with the most experimental artists of the contemporary scene. The day will be full of meetings, workshops and public debates
At the Magasin III was inaugurated an extensive exhibition with Tony Oursler, artist who experiments and plays with the moving image of television and with the surveillance and monitoring systems. Recently through a facial recognition software, he has created digital portraits in which the observer can see himself reflected.
Choy Ka Fai is a Singapore artist, famous for its performances and installations in which the movements of the dancer are stimulated and recorded using technological means, and exchanged with those of the other performers. Therefore, the body becomes a base on which to experiment and make visible the digital and its most hidden sphere
Sónar +D is the international conference (running even this year in Barcelona from 16 to 18 of June) that brings together a combination of activities with a common theme: the relationship between creativity and technology, and the digital transformation of the cultural industries involved.