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Future emerging Art and Technology

Entitled "Future emerging Art and Technology", the exhibition presents a series of works of art created during collaborations between six internationally acclaimed artists and cutting-edge scientists. The artists were selected during an open process in March 2016 and paired with scientist groups working on European Union FET (Future Emerging Technologies) Open research projects such as exploring gene regulation, quantum physics, underwater robotics, carbon capture, and exascale computing.
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The never-ending performance that is living. An interview with Hugo Olim

The still image, which can be a photograph, or a frame of a video, or even a pixel, is a unity and as such it is a departing point for Hugo Olim’s artworks concept. Metaphorically, the still image, as is presented to us, results from a dialogue with sound from which it receives properties of rhythm and movement.
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Media Art and art market: an interview with Wolf Lieser

Since 1998 Wolf Lieser is curator and founder of the Digital Art Museum (DAM), an online museum which has being very active in supporting and promoting the history of Digital Art, since its very firsts experimentations in the end of 50's. In 2003 the museum started to be supported by a physical space: “DAM Gallery” where are regularly exhibited works that span all the categories from pioneers of the 60's till major artists of the last years.
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Terra0, the augmented self-owned forest

Terra0 is a project that has just been discussed at Transmediale, Berlin, during the panel Becoming Earth: Engineering Symbiotic Futures. The project, at his first steps of development, aims at the creation of the first self-owned augmented forest, by using the blockchain technology and the smart contracts.
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Jeroen Van Loon: the future is almost all temporary

With a degree in digital media design and a relatively short career which began no later than 2010, Jeroen Van Loon has shortly become one of the most interesting media artist internationally. His research is able to surprisingly and ironically integrate a critical approach to the use of technological tools - in particular the Internet, with a solid theoretical and conceptual framework. Such an approach results in the production of objects and installations that enter the exhibition space with disarming immediacy.


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Genecraft: Art in the Biogenetic Age

BOM has launched Genecraft: Art in the Biogenetic Age, showcasing collaborations between artists and scientists making responses to landmark genetic research taking place in Birmingham. The exhibition forms part of a wider programme at BOM presenting art at the frontiers of science.
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