Articles

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Exploring the Deep Web: a “knowledge vs comfort” dilemma

Many internet posts haven’t any doubt: the so-called Deep Web (DW) is definitely a bad place. Would you like your checking account to become empty? Aren’t you afraid that someone could spy on you? Or, from bad to worse that the police burst into your flat and arrest you like in American crime movie? If you aren’t chasing things like that, you’d rather stay in your daily sandbox made of Google, Facebook and so on
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Lanfranco Aceti: empty spaces for new heretical art views

Pasquale Napolitano in conversation with Lanfranco Aceti about the politics of art production in current economic conditions within the EU, in the light of the edition of dOCUMENTA taking place in a symbolic place of the economic crisis: Athens. The project Empty Pr(oe)mises Lanfranco Aceti is curating right now is a laboratory of forms of resistance and resilience in which contemporary art becomes method of investigation and a vehicle to create new communities.
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Media Art and Art Market: an interview with Steve Fletcher

Steve Fletcher in conversation with Alessio Chierico about the role of Media Art and media artists in the contemporary art context and its market conditions, taking as an example the activity of the Carroll/Fletcher Gallery in London, one of the main referencing points of the contemporary art which emphasises the use of new technologies and committed to enquiries political and social topics.
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Memoria Esterna: Mika Taanila’s time machine

The first solo show of Mika Taanila in Italy, at the RITA URSO Artopia Gallery in Milan. On view: the video works produced by the artist using archive materials, and which deal with issues related to technology, media obsolescence, and the archaeology of the future.
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MatchPoint: the artistic research as a collaborative practice in the contemporary city

(Italiano) L'oggetto di indagine è costituito da un organismo sociale che, con la sua presenza nei quartieri popolari della città di Napoli, fa tutela attiva del suo patrimonio culturale materiale e immateriale, sia rivitalizzando e manutenendo intere aree cittadine dalla conformazione pre-moderna, sia partecipando alla definizione dell'effetto città (confronto, scambio, contaminazione).
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The never-ending performance that is living. An interview with Hugo Olim

The still image, which can be a photograph, or a frame of a video, or even a pixel, is a unity and as such it is a departing point for Hugo Olim’s artworks concept. Metaphorically, the still image, as is presented to us, results from a dialogue with sound from which it receives properties of rhythm and movement.
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Media Art and art market: an interview with Wolf Lieser

Since 1998 Wolf Lieser is curator and founder of the Digital Art Museum (DAM), an online museum which has being very active in supporting and promoting the history of Digital Art, since its very firsts experimentations in the end of 50's. In 2003 the museum started to be supported by a physical space: “DAM Gallery” where are regularly exhibited works that span all the categories from pioneers of the 60's till major artists of the last years.
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Media Art and Art Market: an interview with Annette Doms

With a background in art history, archaeology and psychology, Annette Doms is a specialist in Digital Art history and market. Her activity as curator and art historian, successively took on several directions: the constitution of an agency for art market solutions (ICAA) and the UNPAINTED art fair. This has been the first art fair specialised in Media Art, of which Annette Doms is co-founder and art director
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Jeroen Van Loon: the future is almost all temporary

With a degree in digital media design and a relatively short career which began no later than 2010, Jeroen Van Loon has shortly become one of the most interesting media artist internationally. His research is able to surprisingly and ironically integrate a critical approach to the use of technological tools - in particular the Internet, with a solid theoretical and conceptual framework. Such an approach results in the production of objects and installations that enter the exhibition space with disarming immediacy.


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Christina McPhee, the Political-Aesthetics of Nature

Christina McPhee with different media, spanning from video and digital technologies, to drawing, painting, and photography. Her works are stunning, intricate and abstract figures in which the artist combines both digital and traditional techniques in order to give a visual representation of her ideas, experiences, and her strong engagement with nature and its processes of creation and destruction.
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Media Art and Art Market: an interview with Pau Waelder

Pau Waelder is a researcher, art critic and curator who recently finished his PhD about the art market, its displacement on internet platforms and the interactions between contemporary art and New Media Art. His research acknowledge the explosion of the Post-Internet Art, as example of an artistic sector connected to New Media Art that stimulated the interest of the traditional art market.
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The medium is the medium. Interview with Metahaven

Metahaven is a research-focused design studio founded by Amsterdam-based Vinca Kruk and Daniel van der Velden. Some the most notorious examples of this mission is their collaboration with WikiLeaks, for which they made scarves and T-shirts to modify their visual presence, the re-branding of the self-proclaimed Principality of Sealand.
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The Authority of Taste. Mattin and theses on noise

Sound artist Mattin and Martina Raponi started a conversation which is still on-going, and of which this unusual interview is part. It culminated in the drafting of a manifesto about noise. In this they sketched some ideas about how to frame a new conception about noise without falling again into a necessarily sonic categorization
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Media Art and Art Market: an interview with Christa Sommerer

The 10th of October 2016 at the Lentos Museum in Linz took place the Media Art and Art Market symposium. This event aimed to discuss the current situation of the art market segment which focuses on the Media Art. The organization of the symposium has been led by Christa Sommerer, artist and pioneer of Interactive Art togheter with Laurent Mignonneau. Christa Sommerer is active in the in the art market with several galleries worldwide, she gained a special expertise in this sector.
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Rodrigo Carvalho: Sound + Visual + Movement

Rodrigo Carvalho’s practice and research result from the possibilities of the combination within the triangulation between sound, image and movement. He is a very prolific artist with work mostly developed and presented under the names of several audiovisual projects. For each project, Rodrigo Carvalho join skills together with other artists, such as sound artists and dance groups.
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Build Your World: Minecraft and Open Source Architecture

To design one’s world, whether in the physical or digital domain, is to to increase one’s sense of agency. For Minecraft, this is an opportunity for architects to address the crises in urban housing. A similar open-source, DIY, and collaborative ethos plays out in architecture projects fabrication systems for non-architects to design and build their own homes, by Teddy Cruz, Alejandro Aravena, and the WikiHouse Project.
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Werktank: a platform for new media art. Poetry, humor and beauty

Werktank is a platform for new media art. It is an organisation which focuses on the production of visual art projects, media art and performative art, with it’s headquarters in Leuven, Belgium. The main focus of their activities is to create installations that investigate the relationship between technology and perception
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To conceal and to reveal: an interview with Ruben Pater

Ruben Pater is a designer and researcher. He finished the master programme of the Sandberg institute in 2012, and as Untold Stories he works on self-initiated and collaborative projects between journalism and graphic design. His work has received several international awards and is featured in exhibitions around the world.
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