Valentina Tanni
Valentina Tanni
Valentina Tanni, Art Critic, Curator and Lecturer

Valentina Tanni (Rome, 1976) is a contemporary art critic and curator. Her research is focused on the relationship between art and new media, with particular attention to Internet culture.


In 2002 she graduated in Art History from La Sapienza University in Rome with a master thesis on net art (Net Art.1994-2001) and in the following years she published a great number of articles, reviews and essays about new media art, web culture and contemporary art in general. She is the founder of Random Magazine, one of the first web columns entirely dedicated to net art (that gave also birth to a book in 2011. “Random”, Link Editions), and she is the co-founder of Exibart and Artribune, two important italian art magazines. She also directed the online version of the magazine FMR (FMR Online). She curated the Net section of the art show Media Connection (Rome and Milan, 2001), the exhibitions Netizens (Rome, 2002), L’oading. Genetically Modified Videogames (Syracuse, 2003), Maps and Legends. When Photography Met the Web (Rome, 2010), Datascapes (Rome, 2011), Hit the Crowd. Photography in the Age of Crowdsourcing (Rome, 2012) and numerous solo shows. She also collaborates with many digital arts Festivals and she’s been one of the guest curators of FotoGrafia. International Photography Festival in Rome (photography and new media section, 2010-12). She wrote articles for italian and international magazines and she works as a teacher and lecturer for universities and private institutions (Università di Roma La Sapienza, Università di Udine, LUISS, Istituto Europeo di Design). 

Valentina Tanni also wrote

  • (Italiano) Nuovi Amatori: Citizen Artists O Scimmie Infinite?
    Thursday, October 2nd, 2008

    (Italiano) Sono passati pi di trent'anni da quando Michael A. Noll, allora ingegnere presso i famigerati Bell Laboratories, firmava 'The Digital Computer as a Creative Medium', saggio seminale che [...]

  • All Rights Reserved. All Wrongs Reversed
    Tuesday, June 3rd, 2008

    Being original is a vexata quaestio for all the art critics. Every art studious knows that sooner or lather the question will have to be faced, willy-nilly. And, in [...]

  • Plugin Art
    Thursday, May 31st, 2007

    One of the most loved strategy of nowadays artists is the invasion of different contexts. Tired of being contained by dedicated spaces, art is now inside the most varied [...]

  • Evil Evolution
    Thursday, February 1st, 2007

    Technology progress miracles have always generated utopia and nightmares. Hopeful visions of a better future, but gloomy and catastrophic predictions too. The risk within the rash use of scientific [...]

  • Dragulescu, L’achitettura Dello Spam
    Wednesday, September 6th, 2006

    At first glance they seem experimentations of a young visionary architect, who attended the international modernism school but obviously influenced by the three-dimensional aesthetic of modelling software, more than [...]

  • I Love Gif
    Tuesday, May 2nd, 2006

    Animated GIF (Graphics Interchange Format) are the emblem of a vintage aesthetic applied to the net. A retro and nostalgic aesthetic, built with natural forms, a poor palette, the [...]

  • To Cure With Video Art
    Thursday, March 2nd, 2006

    Aroma therapy, chromium therapy, music therapy, crystal therapy, art therapy. The varied world of the alternative medicine spreads more and more. Is it due to the mistrust of the [...]

  • Flickr Art: Database And Voyeurism
    Thursday, December 1st, 2005

    In a justly famous essay written in the now remote 1998 the theorist of new media Lev Manovich acknowledged database as an essential element of the new-born digital culture [...]

  • (Italiano) Naturalmente Dati
    Saturday, October 1st, 2005

    (Italiano) La tradizionale contrapposizione tra naturale e artificiale si fa, in un ambiente estremamente tecnologizzato come il nostro, ogni giorno pi problematica. E se le leggi che regolano la [...]

  • (Italiano) Stanza, Quando Il Codice E’ Genetico
    Wednesday, August 31st, 2005

    (Italiano) La somiglianza  troppo evidente per non essere notata. Le connessioni troppo dirette. Il parallelo, dunque, inevitabile. Il codice informatico e quello genetico sono due realtˆ sorelle, entrambe [...]

  • (Italiano) Codice Tangibile
    Wednesday, June 29th, 2005

    (Italiano) Sulla natura immateriale dei bit si sono riversati fiumi d'inchiostro. Sia la letteratura specializzata che l'informazione generalista celebrano senza posa, con argomentazioni e terminologie spesso fin troppo simili, [...]

  • (Italiano) Wimp…e Il Desktop Da’ Spettacolo
    Sunday, June 5th, 2005

    (Italiano) Valentina Tanni presenta A quasi otto anni da quel primo progetto, scarno e concettuale, Shulgin ritorna sul tema dell'interfaccia a finestre con il software Wimp, sigla che sta [...]

  • (Italiano) Navigando Contromano, La Browser Art
    Sunday, June 5th, 2005

    (Italiano) La browser art descritta da Valentina Tanni parte dai primi esperimenti come The Web Stolker del collettivo I/O/D, Riot di Mark Napier, Babel di Simon Biggs [...]

  • (Italiano) L’amore E’ Un Virus
    Sunday, June 5th, 2005

    (Italiano) Almeno dai tempi di Catullo, che nel celebre Carme 51 descriveva le proprie sofferenze fisiche - perdita della voce e della vista, sorditˆ e delirio additandole come conseguenze [...]

  • (Italiano) The Screaming Enhancer
    Thursday, June 2nd, 2005

    (Italiano) L'artista americana Amy Alexander , giˆ nota per progetti ad alto tasso ironico, propone di rispolverare l'urlo come pratica quotidiana, come strumento di protesta e come gesto liberatorio. [...]

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