BACK TO HOME




. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Art+science | Artificial Intelligence | Audiovideo | Audiovisual Design | Bio Art | Clubbing | Connected Live Art | Design | Digital Animation | Electronica | Experimental | Experimental Cinema | Free Software | Game Art | Generative Art | Graphic Design | Hack Art | Hacking | Hacktivism | Hybrid Design | Hyper Architecture | Interaction Design | Interviews | Live Cinema | Live Media | Locative Media | Net Art | Net Sex | Networking | Networks | New Media | New Media Art | New Media Market | P2p | Performing Art | Report | Robotics | Software Art | Sound Art | Surveillance | Techno Theatre | Technology | Theories | Video Art | Video Clip | Virtual Worlds | Vjing

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
 
FOLLOW US:
Digicult RSS Digipod RSS Digimag RSS
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE DIGICULT'S PLATFORMS OFFERED SERVICES:


Since its birth in 2005, DigiCULT has had the possibility of collaborating with several national and international partners, with cultural institutions, festivals and online gallery platforms in the new media art and culture sector as editors, promoters, catalogue crtics and last but not least as media partners and press office.

 

Digicult's Readers

DigiCULT is a project that includes a raising amount of users, all interested for both professional and personal reasons. It's artistic potentiality and expressiveness tied with new digital technology and its impact on art, contemporary design, culture, science and innovation in general. Art crtics, editors, art academies, universities and professional schools but also artists, videomakers, musicians, performers, designers, communicators, cultural operators, stylists, graphic designers ect. They are all directly and indirectly involved in projects and magazines like this one. Grafic and design institutions, engineering school, architect studios, web agencies, sound design, journalists are basically the core of DigiCULT users.

 

Offered Services

DigiCULT offers several services such as: the DigiNEWS newsletter, bannership activity, promotions through various partnerships, press office and the editing of texts and catalogues. The front page and the newletter are translated in english, opening the door to international users, who are always more demanding and curious. In this way DigiCULT has come in contact and formed professional relationships with some of the most important national and global festivals.
DigiCULT is able to relate to with the international professionalists in the new media art industry thanks to deep contacts included in the international mailing list (Rhizome, Spectre, Syndicate, aha, NetBehaviour, Nettime), with whom DigiCULT has started a two-way collaboration, sharing news and visibility. DigiCULT has also created various online services using the dynamics behind Web 2.0, such as the Feed Rss for the magazine's news and articles, like the Tag division of the contents on the front page, interactive services for the users, it's presence on important social networks such as Delicios, Facebook, Twitter, Vimeo, Flikr and Linkedln.

 

To learn more about the services offered by Digicult let's check the Digimade agency website too

 

 

THE DIGINEWS NEWSLETTER:


DigiNEWS is a newsletter service that includes announcements via e-mail. It is based on the credibility and respect that DigiCULT has earned throughout the years, the service has three purposes: first of all spread news about DigiCULT's editorial activity to the subscribers and community (offering the possibility of visibility to our various partners thanks to a section reserved exclusively to them in the newsletter layout). Second of all to promote, in a specific way, our parteners cultural activities by sending a newsletter dedicated to every single subscriber. We also aim to give information about exhibitions, events, festivals, workshops and meeting in the art, design and digital culture world. Ideal instrument for your own activity, DigiNEWS has reached, for the moment, an ascending and selected community of over 10.000 users.

 

Who it's directed to:

During the last five years, thanks to its constant observation of the existing professions (editors, critics, journalists, galleries, museums, magazines, institutions, cultural operators, mailing list, communities, social networks, researchers professors, students, press office, artist and publicists), DigiCULT has created a very rich database of contacts that perfectly place themselves in that hybrid territory which, thanks to the spread of the new technology, is at the borderline between contemporary art, design, experimentation, hacking and science.

 

How does it work:

All of our artistic space, both private and public, promotors and the editors of the exhibitions events festivals and encounters are invited to contact us using our mailing service and newsletter DigiNEWS. Every notice is enhanced by sending a single newsletter dedicated, which includes a promotional section, an image and a link to the website databank online of images and videos. The notices are directly sent to the DigiCULT community made up of editors, artists, critics, institutions, universities, academies, distributors, professionists, journalists and magazine (35% in Italy, 30% in Europe, 20% in North America, 10% in South-East Asia and 5% in other countries). On top of it all the notices sent through the DigiNEWS newsletter, are save in a permanent way on the DigiCULT portal, and integrated in the articles that appear on the monthly magazine DigiMAG.

 

For anyone who may be interested in the newsletter DigiNEWS , for more information send an email to: press@digicult.it

 

 

BANNERSHIP:


The Bannership provides, for its partners, publicity and visibility by making actual graphic banners that are specifically chosen by the DigiCULT staff. All the banners have themes so they all focus on Art, Design or Digital culture. DigiCULT users consider this bannership as helpful advice and as invasive publicity. This is confirmed by the large amount of people who click on these banners.

 

Who it's directed to?

Bannership is directed to private and public Art galleries, artists, institutions, events, festivals and to companies which want to promote their business through DigiCULT.

 

How does it work?

The bannership is an activity which provides space within the pages of DigiCULT, dedicated to a form of communication that prefers images to simple text. This graphical element (banner) takes the user to either the client's homepage or to a page on DigiCULT that offers more information: with the new layout, every  news article has its own webpage. This way, not only are the various banners repeated on every page other than the homepage, they can be selected based on the their artistic topic. A form of promotion directed straight to specific users.

 

Dimensions and platforms

The bannership is divided in two ways: a time dimension, where the banners are posted for a certain limit of time. Then they are divided graphically because there are various positions for each type of banner (headline, body, in the centre of the page...) and they are all different sizes. It's important to remember that the presence of a banner is guaranteed on every level. The portal DigiCULT, the magazine DigiMAG, the podcast DigiPOD and in the newsletter DigiNEWS.

 

For anyone who may be interested in Bannership , for more information send an email to: press@digicult.it

 

 

MEDIA PARTNERSHIP:


The Media Parntership is a way of promoting DigiCULT's partners, focused on the enhancement of events, festivals, exhibitions that take place in the art, design and digital culture world. DigiCULT is able to offer a complete partnership thanks to its many collaborators in the media and art world, covering events, relative articles, presentations and reports on various projects. The Media Partnership includes an official collaborations between DigiCULT and its partners, trading and offering eachother visibility and cooperation, throughout the events whole process (opening, durations, closing).

 

How does it work?

The Media Partnership is a mix of various activities made up of visibilty through the banners on the various platforms (portal, magazine, podcast, newsletter), following them with the media coverage of their events, activity in the press office and publishing the news on their events on all of DigiCULT's services. Basically, a media partnership is the complete promotion and support that DigiCULT has to offer through banners, newsletters and the press office's work.

 

Social Networking, web 2.0 and mailing list

The Media Partnership is also present through various social networks (over 1,000 users on Facebook, Twitter, FriendFeed, Vimeo, Flickr, Linked.in) and the contacts in the mailing list coming from all over the world.

 

For anyone who may be interested in Media Partnership , for more information send an email to: press@digicult.it

 

 

PRESS OFFICE AND TEXTS FOR CATALOGUES:

 

A fundamental goal for the structure of a Press Office is given by the necessity of joining in a single communication activity as much cultural references as possible (festivals, exhibitions, cultural events, foundations, museums, news headlines) and those belonging to emerging circuits in the experimentation of new media. This activity is coordinated with DigiNEWS and therefore sends specific newsletters directed to the DigiCULT community of over 10,000 users.

 

The creation of the press office

In the preliminary phase before the press office, a network of contacts will be created with whom the news about activities and events will be shared. The address book will be divided in: a section for emails, telephone numbers and mailing addresses. DigiCULT's network of contacts is made up of news agencies, journalists, crtics, institutions, editors, galery, websites, professionists and professors on local, national and international levels. This archive will be enriched thanks to our editorial office.

 

Editorial office communicated, printing folders (complete or in integration with pre-exisiting press offices)

DigiCULT's staff takes care of the writing and editiing of the articles and materials for the communication models such as, announcements and printing folders, on web and on paper. The preparation of this material will be done considering both periodical events and single ones, keeping a constant dialogue between the press office, the gallery's leader and both inside and outside artists.

 

Relationship with the press (complete or partial with pre-existing press offices)

The activity in the press office and various communications will be accompanied by direct relations between our assigned journalist and critic, responsible for obtaining space and in depth examination dedicated to the gallery within the main tools of communication and create collaborations and media partnerships.

 

For anyone who may be interested in our Press Office service , for more information send an email to: press@digicult.it

 



Sponsored by:

BLOGROLL






OPEN SOURCE SATELLITE

After three years of research and one year of experience as a satellite engineer, Hojun Song has found that it is possible to launch and operate a personal satellite.
VIDEO DRESSES

The Video dresses are created by 15000 LEDs. One dress displays hazy silhouettes of sharks in the sea whilst the other shows a time-lapse sequence of a rose blooming
MY SECRET HEART

My Secret Heart is a new commission by Streetwise Opera of an installation written by electronic composer Mira Calix, video artists Flat-e and sound designer Dave Sheppard



A PARALLEL IMAGE

A Parallel Image is an electronic camera obscura, an installation by Gebhard Sengmüller, in collaboration with Franz Büchinger, supported by Fels-Multiprint. This media-archaeological, interactive sculpture is based on the fictive assumption that the currently still valid principle of electronically transmitting moving images, namely by breaking them down into single images and image lines, was never discovered. Gebhard Sengmüller is an artist working in the field of media technology. Since 1992, he has been developing projects and installations focussing on the history of electronic media


BLINKS & BUTTONS

Between Blinks & Buttons is a twofold thesis project about the camera as a networked object. Through making their photos public on the Internet, individuals create traces of themselves.In addition to their value as a memory, each image contains a multitude of information about the context of its creation.



SENSITIVE TO PLEASURE

Sensitive to Pleasure is a work by Sonia Cillari at the end of an art-residency at Nimk about conflict, an intimate piece in which the artist emphasizes her controversial relationship with her own work in front of the public. Cillari stands outside the door of a dark Ambisonic cube, where she grants entry to only one visitor at a time.




THE ATTENBOROUGH DESIGN GROUP

The Attenborough Design Group investigates the use of animal behaviours to defend emerging technologies. These products include the Gesundheit Radio, which sneezes periodically to expel potentially damaging dust, Floppy Legs, a portable floppy disk drive which stands up if it detects liquid nearby, and the AntiTouch Lamp, which sways away from you if get too close to its bulb.


PLAYAROUND WORKSHOP

Playaround workshop DIWO culture (09-13 August): each module is a smaller circle of the bigger circle of workshop, each has it unique culture, specific motifs and potential of reconnecting to other circle. From Do-It-Yourself to Do-It-With-Others; digital culture & art offer potentials to connect shared interests.

FINE COLLECTION OF CURIOUS SOUND OBJECTS

The arrangement of this fine collection of curious sound objects, includes six exceptional exhibits from the world of sounds and acoustics. At first sight looking trivial, each object incorporates a very unique ability. §A project by Georg Reil and Kathy Scheuring, developed at University of Applied Sciences Würzburg-Schweinfurt.


DIGITAL CREATURES

Digital Creatures is a dispersed net-artwork/digital poem built from 40 sections, each an interactive, multimedia artwork. What makes this project unique and exciting is that each interlinked section is hosted on a different website, with the theme / look / aesthetic / poetics of that section.




MYLICON/EN: SOLD DOWN THE RIVER

We would like to talk about social issue, we would like to say something about negative externalities, about Moral hazard, social costs and about market failure.
But there are no words left, all has gone, we have been sold down the river. In few years, driving suv and drinking cola, smiling to the world corporations and conomists have sold down the river landscape and people, the whole planet. You see who's in charge in many democratic nations? Do you have words to explain to yourself what is modern democracy? The new stunning Audiovisual Art work, and future live cinema set by Italian experimental duo Mylicon/en.




LANDSCAPE AND INTERACTION. MATTEO PENNESE, THE SOUND WITHIN SPACE
Systems of interaction between acoustic...
Simone Broglia

BRANDON LABELLE. WHERE DO SOUNDS COME FROM AND WHERE DO THEY GO?
Where do sounds come from and where do...
Elena Biserna

BUDDHA MACHINE. THIRD GENERATION SOUND TOY
FM3, the experimental music group whose productions examine...
Robin Peckham

FLUID.NL: DESIGNER O DEVELOPER
The majority of developers are not really designers and vice versa. It...
Luca Merzello / Translation: Ian Bolton

JOOST AND ONLINE TELEVISION
Once upon a time, there was a household appliance called television, a magic...
Eleonora Oreggia
Read the other interviews



HUMAN, WATER AND ENVIRONMENT. BETWEEN MULTIMEDIA AND SUSTAINABILITY
The topic of water in the multimedia,...
Silvia Scaravaggi

LIVE IXEM 06...A SUMMARY
The last 17 th December there was the 6th Edition of the Italian contest of electronic...
Alessandro Massobrio

THE LAST SUPPER: SOUVENIR FROM MILAN
“Behind the scenes there is a cultural turmoil of anxiety, trouble,...
Claudia D'Alonzo

VIDEO ART IN LOOP
May will be a month full of dates in Barcelona this year. The many and unmissable spring...
Barbara Sansone / Eng: Roberta Virgilio

NETWORKED NATURE: NATURE AND ELECTRONIC ART
This is Networked Nature , a collective exhibition of artists...
Teresa De Feo
Read the Digicult archive



HABEMUS DATA. DIGITAL CULTURE AND FREE INFORMATION
A close step far from the counter-reformation of the...
Teresa De Feo

INFORMATIONAL REALISM. QUANTUM BIT IN THE CYBER SPACE
"It may very well be said that information is the...
Jeremy Levine

TECHNESEXUAL INTERFACE. EROTIC MIXED REALITY PERFORMANCE
Biometric sensors, made cheaply available by...
Micha Cardenas

ONCE IS NOT ENOUGH
In 2007, Eva and Franco Mattes (aka 0100101110101101.ORG) created Sinthetic Performances,...
Antonio Caronia

PROJECT CULTURE AND TECHNOLOGICAL INNOVATION
Cultural and intellectual activities should have practical...
Massimo Botta
Read the Digicult archive






LISTEN TO THE RADIO:





DIGIMAG BACK ISSUE:


Digimag 01

Digimag 02

Digimag 03

Digimag 04

Digimag 05

Digimag 06

Digimag 07

Digimag 08

Digimag 09

Digimag 10

Digimag 11

Digimag 12

Digimag 13

Digimag 14

Digimag 15

Digimag 16

Digimag 17

Digimag 18

Digimag 19

Digimag 20

Digimag 21

Digimag 22

Digimag 23

Digimag 24

Digimag 25

Digimag 26

Digimag 27

Digimag 28

Digimag 29

Digimag 30

Digimag 31

Digimag 32

Digimag 33

Digimag 34

Digimag 35

Digimag 36

Digimag 37

Digimag 38

Digimag 39

Digimag 40

Digimag 41

Digimag 42

Digimag 43

Digimag 44

Digimag 45

Digimag 46

Digimag 47

Digimag 48

Digimag 49

Digimag 50

Digimag 51

Digimag 52

Digimag 53

Digimag 54

Digimag 55

Digimag 56

 

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

AGENCY | MAGAZINE | PODCAST | ARCHIVE | CREDITS | LINKS | CONTACTS

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .



DIGICULT IS SUPPORTED BY: