BACK TO HOME


. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Art+science | Artificial Intelligence | Audiovideo | Audiovisual Design | Bio Art | Clubbing | Connected Live Art | Design | Digital Animation | Electronica | Experimental | Experimental Cinema | Free Software | Game Art | Generative Art | Graphic Design | Hack Art | Hacking | Hacktivism | Hybrid Design | Hyper Architecture | Interaction Design | Interviews | Live Cinema | Live Media | Locative Media | Net Art | Net Sex | Networking | Networks | New Media | New Media Art | New Media Market | P2p | Performing Art | Report | Robotics | Software Art | Sound Art | Surveillance | Techno Theatre | Technology | Theories | Video Art | Video Clip | Virtual Worlds | Vjing

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
 
FOLLOW US: Digicult RSS Digipod RSS Digimag RSS Digipod/I-Tunes
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .


New Media - Networking

STUK ARTS CENTER - LEUVEN

09 - 14 FEBRUARY 2010

 

In On Gaps and Silent Documents international artists question the absence of documents and data in archives, data banks and memory. What is missing? Has it never been there or has it been removed? Does available information exist that is not looked at, read or used? Archives and data banks are primarily determined by these gaps and silent documents.


As Sven Spieker notes, "Archives are less concerned with memory than with the necessity to discard, erase, eliminate." Creating archives is continual selection. As such, it reveals the priorities and blind spots of the keeper of the archives, his world and his time.

Since the beginning of time, 'forgetting' was always the norm. 'Remembering' was the exception. In this age of continuously transforming technology and worldwide networks, this balance seems to be shifting. Is it true that in our time, with its excessive storage capacity, everything is obsessively being saved? More and more, we face the question of whether we have the right to create our own gaps, to silence documents and erase our own traces. Privacy, intellectual property and censorship in our digital networked society require different and complex solutions.

'On Gaps and Silent Documents' uses 'new' and 'old' media and technologies, such as the Internet, websites, Google, newspapers, texts, books, film and video, photography, music scores, sound, telephones, Twitter, online newsgroups, printers, microfilm, light, computers, etc., to approach the theme of Artefact festival from different (sometimes paradoxical) perspectives and question it in spatial installations, presentations and performances.

 

 

expo | Alfredo Jaar - Sharon Daniel - Mariana Castillo Deball - Manfred Werder - Yann Sérandour - Haris Epaminonda & Daniel Gustav Cramer - Daniel Knorr - Anita Di Bianco - Sebastian Romo - Lisa Oppenheim - Joseph Cornell - Jonas Mekas - deepblue - Rafael Lozano-Hemmer - Elmgreen & Dragset - Christian Andersson - Yunchul Kim - Carlos katastrofsky - Jens Wunderling - de Geuzen - Hasan Elahi - Ben Rubin - Antoni Muntadas


performance | Ellen Fullman & Konrad Sprenger - Luis Recoder / Sandra Gibson / Ben Owen - Martin Nachbar - deepblue - William Hooker


labo nights | Clark + AKS - Lars Horntveth & Emanon - Lyenn + John Hopkins - Nurse With Wound

 

 

 

http://www.artefact-festival.be/

 



Artefact Festival for Art & Media  Artefact Festival for Art & Media  Artefact Festival for Art & Media  Artefact Festival for Art & Media  Artefact Festival for Art & Media  Artefact Festival for Art & Media  Artefact Festival for Art & Media  Artefact Festival for Art & Media  Artefact Festival for Art & Media 
more

. . . . . . . . . . . . . . . . . . . . . .


Vote this article
Total Votes : 0 / Average : 0

. . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . .


Welcome to Digicult, the online/offline cultural and editorial platform, created with the aim to spread digital art and culture. Digicult focuses on the impact of new technologies and modern sciences on art, design, culture and contemporary society. Digicult was founded and is directed by Marco Mancuso, and is now based on the active participation of 40 professional people, who represent the first wide Italian Network of journalists, curators, artists and critics in the field.

To learn more about Digicult, you can read some deep online interviews did in the last months: the one taken from Lab For Culture, the one from Elektra Blog, the one from project Vj Theory and the last one from Russian magazine Art-Manager. Here you find all the Credits and here our rich Archive of articles, and you can contact us at:redazione@digicult.it
SEARCH 
NEWSLETTER 
ZERO1
 SPONSORED BY:






POWER PERFORMANCE

Created at Mutek festival
at Monument National (Montréal) in May 2009, POWEr is a performance based on high-voltage electromagnetic perturbations.
SKETCH-A-MOVE

Sketch-a-Move is a 5 weeks project by Loiuse Victoria Kinkler did with Anab Jain. The brief was set by Mattel Hotwheels to come up with a new concept for their small toycars.
BUSCANDO SR.GOODBAR

Buscando Al Sr.Goodbar from Transmediale award winning Michelle Terran, is a journey through Murcia, that involves a search for the locations and authors of various YouTube videos.



DIGITAL ZOETROPE

Troika was commissioned by onedotzero to create a custom installation and visual identity around the theme of this year’s festival 'Citystates'. Opting to create an installation and identity that integrate into each other, Troika designed a modern digital zoetrope as the cornerstone of the identity.

SILICON DREAMS

The exhibition, Silicon Dreams: Art, Science and Technology in the European Union, will take place at Tabakalera in Donostia-San Sebastián It explores the convergence of these three fields from the perspective of a group of artists


CALL FOR ABSTRACTS: POLITICS OF DIGITAL MEDIA

It is an abstract submission for an edited book on the creation, interpretation, and role of digital media for political purposes in the Balkans and Middle East. The intent is to provide an overview of the spectrum of political uses of new media in these two regions.



555 KUBIK

555 KUBIK "How it would be, if a house was dreaming" The conception of this project consistently derives from its underlying architecture - the theoretic conception and visual pattern of the Hamburg Kunsthalle

CALL: CYNETARTS

TMA Hellerau hosts the international competition of Cynetart, an digital art and technology festival, that takes place in Dresden, inviting artists and art groups to present their projects. The call for entries ends bu will be extended until March 2010

INJECT BY HERMAN KOLGEN

It was in 2008 that Herman Kolgen initiated the INJECT project. The genesis of the principal visual material for this project was a shoot, in an immense cistern filled with water, which lasted six consecutive days.


LIGHT BULB

light bulb is a levitating yet powered lightbulb. It will float stably in midair and remain on for years without any physical contact, charging, or batteries. Ironically, this entire package still consumes less than half the power of an incandescent bulb.







THE SENSE OF A CLEVER BODY. AN INTERVIEW WITH PAOLA BIANCHI
Paola Bianchi's dancing body is everything,...
Massimo Schiavoni

TOWARDS THE EDGE OF CHAOS: AN INTERVIEW WITH LEONARDO SOLAAS
Born in Argentina, the artist Leonardo Solaas lives...
Jeremy Levine

CARLOS CASAS AT NETMAGE 2010. THE AUDIOVISUAL CEMETERY
The latest edition, the tenth, of the International...
Silvia Bianchi

TAYLOR DEUPREE: THE BEAUTY OF MINIMALISM
Nel mondo della musica contemporanea e dell'arte digitale Taylor...
Giuseppe Cordaro

SABRINA MUZI. ABOUT THE BODY WITHOUT LIMITS
The Italian artist Sabrina Muzi from Marche region, has been...
Massimo Schiavoni
Read the other interviews



ART TECH MEDIA 2009. SCI-FI JOURNEY BETWEEN SCIENCE & CULTURE
After a year of intense activity, including...
Barbara Sansone

CUM2CUT, LET'S GO INDIE PORN!
With the shout “share and spread pornography!” the city of Berlin was literally...
Pier Mario Simula

BLIP FESTIVAL: CHIPTUNE MUSIC & LOW BIT VISUALS
Game Boy's devotees and Commodore 64's fans: Blip Festival...
Monica Ponzini

LIVING ROOM VIDEO ART
The meaning of the term living-room is incredibly fascinating. The word living room...
Alessandra Migani

L'ESTETICA DEI DATI: ART FUTURA 2006
Ed è arrivato alla sua diciassettesima edizione il festival ArtFutura...
Barbara Sansone
Read the Digicult archive



WOMEN IN (VIDEO)GAME. GENDER LUDIC CULTURE
On 25-26 March at the University of Bradford in England it...
Luigi Ghezzi

CONNECTIVISM & OPEN EDUCATION. EDUCATION OF THE FUTURE
“A property of one entity must lead to or become...
Simona Fiore

HARMONY KORINE: GUMMO. THE HURRICANE OF AMERICAN PROVINCE
At the beginning there is nothing. A desolate...
Francesco Bertocco

POLYMORPHIC INTELLIGENCE: PART 1
As I had the impression that for too long both the scientists for Mind...
Luigi Pagliarini

THE SCIENCE AND ART OF COMPLEX SYSTEMS
Within quantum mechanics, "reality" is an evolving state that includes...
Jeremy Levine
Read the Digicult archive






UCLA SCI | ART NANOLAB 2010
LOS ANGELES: 21 JUNE / 2 JULY 2010

A two week summer course including lecture, required screenings, lab visits, field trips and outside study, offered through UCLA's Summer
Institute. Open to high school students. This introductory studio / lab course explores the creative aspects of scientific research and innovation. Students will gain a broad understanding of the impact of science on contemporary art and popular culture and focus on new sciences - bio and
nanotechnology. Emphasis will be on development of proposals and ideas that could serve as prototypes for either an art project or a scientific
research study.

read more

. . . . . . . . . . . . . . . . . . . .



OFFF FESTIVAL
PARIS: 24-26 JUNE 2010

Since 2001, OFFF festival has been held in Barcelona, becoming the globally recognized and trendsetting event it is today. The three-day festival showcases this year in Paris top digital artists, web, print and interactive designers, motion graphics studios, and new music adventurous. OFFF is spreading the work of a generation of creators that are breaking all kind of limits. Those separating the commercial arena from the worlds of art and design; music from illustration, or ink and chalk from pixels. Artists that have grown with the web and receive inspiration from digital tools, even when their canvas is not the screen. OFFF festival provides insight into all culture media platforms.

read more

DIGIMAG BACK ISSUES:

Digimag 01

Digimag 02

Digimag 03

Digimag 04

Digimag 05

Digimag 06

Digimag 07

Digimag 08

Digimag 09

Digimag 10

Digimag 11

Digimag 12

Digimag 13

Digimag 14

Digimag 15

Digimag 16

Digimag 17

Digimag 18

Digimag 19

Digimag 20

Digimag 21

Digimag 22

Digimag 23

Digimag 24

Digimag 25

Digimag 26

Digimag 27

Digimag 28

Digimag 29

Digimag 30

Digimag 31

Digimag 32

Digimag 33

Digimag 34

Digimag 35

Digimag 36

Digimag 37

Digimag 38

Digimag 39

Digimag 40

Digimag 41

Digimag 42

Digimag 43

Digimag 44

Digimag 45

Digimag 46

Digimag 47

Digimag 48

Digimag 49

Digimag 50

Digimag 51
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

AGENCY | MAGAZINE | PODCAST | ARCHIVIO | CREDITS | LINKS | CONTACTS

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .



DIGICULT IS SUPPORTED BY: