Pixelache is a festival of electronic art and subcultures. Pixelache presents projects experimenting with media and technology from a broad range of disciplines: artists, engineers, designers, researchers...
70 participants from 20 countries gather in Bergen for 4 days of exchanging art, code and ideas based on practical implementations of free culture. Piksel is an annual event for artists and developers...
Dal 6 al 10 dicembre prossimi si svolgerà la quarta edizione del Pescara Electronic Artists Meeting, una delle più importanti manifestazioni italiane dedicate all’arte elettronico/digitale...
Piemonte Share Festival, in its 3rd year, the Festival will host an exhibition, conferences, meetings, round tables, workshops and live performances. The event will be the size of a soft-rave (a lite version...
This competition enriches the already successful formula of the Share Festival. In fact, without a contest, what festival would it be? What would be celebrated if there were no winner
Three great nights of audiovisual live performances in front of the impressive Kiefer's Towers with a box made of 5 screens and a sound system surround 4+1
Inteferenze confirms, with this IV edition, its own double soul between digital provoking and traditional call: digital arts and art of the hearth, sonic vanguards and territory values. Interferenze tears...
FutureEverything 2011 brings the future into the present through music, art and ideas. Arriving in Manchester in May for its sixteenth year, FutureEverything is the essential place to find out what's on...
The purpose of this event is to let people know about a new and exciting development in computer music research, livecoding. Several London-based researchers in this area will perform a short piece using...
The 4th Radiator festival & symposium, "Exploits in the Wireless City", aims to instigate discussion and debate based on the understanding that the development of digital networks are transforming our...
Sonic Arts Network in partnership with The Watershed Media Centre, Bristol present
The Connectors, an international festival at the cutting edge of
sound and image processing, there will be artist led masterclasses and
software courses
Software Courses: Artist led software courses giving hands on instruction in the tools of
contemporary AV invention
Jo Hyde - Introducing Jitter
2 day course
Monday 12 and Wednesday 14 September
Jitter: a set of 135 video, matrix and 3D graphics objects for the Max
graphical programming environment. The Jitter objects extend the
functionality of MaxMSP with flexible means to generate and manipulate
matrix data -- any data that can be expressed in rows and columns, such as
video and still images, 3D geometry, as well as text, spreadsheet data,
particle systems, voxels or audio. Jitter is useful to anyone interested in
real-time video processing, custom effects, 2D/3D graphics, audio/visual
interaction, data visualization and analysis.
Yasser Rashid - Introducing Processing 2 day course
Tuesday 13 and Thursday 15 September
Processing: a programming language and environment built for the electronic
arts and visual design communities. It was created to teach fundamentals of
computer programming within a visual context and to serve as a software
sketchbook. Processing is an open project initiated by Ben Fry and Casey
Reas.
This two-day course constitutes an intensive and hands-on focusing on the
creation of interactive sound and visual programs for online, installation
or live performance using the Processing environment.
Brian O'Reilly - Strategies for Constructing Moving Images
2 evening course (6pm =AD 9pm)
Tuesday 13 and Thursday 15 September
Changes in media technologies over the past several years have resulted in a
redefining of the boundaries between video, and the other media arts. This
course will serve as an introduction to the working methods, theories,
processes and programs used in binding those relationships.
The emphasis of this course will be divided into several segments with
portions devoted to the viewing historical time-art works, as well as
technical lectures on media production and advanced techniques in DVD
authoring.
This course is intended for all levels of students, by exposing them to
particular strategies, tools and techniques that could provide useful
insights into creating their own projects related to the production of
moving images (ranging from short film subjects and documentaries, to purely
abstract pieces, video installations and inter-media works).
General themes to be covered:
- Techniques in the composition of moving images
- Mapping the moving image to sonic gestures
- Video construction strategies and media generation techniques using both
software and hardware
- Excerpted history of video (re)synthesis
- Advanced techniques in DVD authoring
