Crossing Over - Genetic Manipulation and Bioengineering, is an exhibition of contemporary art at the Royal Institution of Great Britain that addresses the highly topical subject of genetic manipulation...
Bioarama is a one-day event that illustrates new directions in art, science and technology by bringing together artists who explore notions of life, science and digital realities
Foxy Production presents Networked Nature, a group exhibition that inventively explores the representation of 'nature' through the perspective of networked culture. The exhibition includes works by C5,...
This workshop is part of the event Días de Bioarte 06 and is prepared by Oron Catts and Ionat Zurr of SymbioticA - The Art&Science Collaborative Research Laboratory
The Australian Network for Art and Technology presents a series of media art exhibitions, events, forums and workshops, which explore the connection between, and intervention of, media arts in our lives
Last autumn Interactive Institute organised a workshop where five artists collaborated with engineers from the institute. The project was an experiment on the boundary between art and technology
Top artistic and high-tech communities come together to celebrate the next dimension in creativity and innovation with world premieres, concerts, exhibitions, happenings, and conferences
The exhibition explores the notions of being and desire in a society determined by our bodily immersion within an ubiquitous and omnipresent electromagnetic realm
The beginning of the 21st century is characterized by an overwhelming awareness of environmental issues. Facing the threat of global warming, the findings of scientific research have become a subject of...
We extensively use and live into simulation. In our everyday life we imagine situations, events, projects and decline them to the future: we simulate possible worlds and test them in a sort of permanent...
By probing the patterns of extra-corporeal transformations, Evelina Domnitch and Dmitry Gelfand have created art works that spread across a scale of sensorial bandwidths.
The work Opening Coccyx exists as installation as well as interactive performance in which the performer/viewer initiates chain reactions of colliding energy systems.
In "Opening Coccyx", pressure waves unleashed in a liquid solution trigger a continuum of waveform patterns, which, in turn, incite chemical reactions of varying intensities, resulting in respectively varying light patterns. Evelina Domnitch and Dmitry Gelfand create interdisciplinary art works, which integrate chemi-physical experimentation with optics and computer science. The artists use current techniques, particularly regarding waveform phenomena to investigate questions of perception and immortality.
Current scientific findings, particularly regarding waveform phenomena, are employed by the artists for investigating questions of perception and immortality. Such investigations are salient because the scientific picture of the world serves as the basis for contemporary thought, and nonetheless the rigorous nature of the fundamental sciences does not permit the entertainment of such questions.
The idea of the installation is connected to the Buddhist concept of enlightenment as a final blessed state, and is based upon scientific data that only after birth baby's nine sacral and tailbones are fused into two, enabling the trunk of the body to stand upright. Until this process is completed it is not possible to reach an illuminated mode. For the exhibition, Evelina Domnitch and Dmitry Gelfand have invited Richard Chartier to create a low-end nature composition intended to simulate the notion of sound transmitted through light
